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  1. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521624509
    RVK Klassifikation: EC 5410
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: English literature; European literature; Classical literature; Human body in literature; Body, Human, in literature; Electronic books
    Umfang: Online-Ressource (xii, 272 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 227-264) and index

    Electronic reproduction; Available via World Wide Web

    Preliminaries; Contents; Acknowledgements; 1 Pursuing Daphne; 2 Medusa's mouth: body and voice in the Metamorphoses; 3 Embodied voices: autobiography and fetishism in the Rime Sparse; 4 ""Be not obsceane though wanton'': Marston's Metamorphosis of Pigmalions Image; 5 ""Poor instruments'' and unspeakable events in The Rape of Lucrece; 6 ""You speak a language that I understand not'': the rhetoric of animation in The Winter's Tale; Notes; Index; Cambridge Studies in Renaissance Literature and Culture
  2. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511009534; 051103556X; 0511050801; 0511116985; 0511483562; 0521034655; 0521624509; 9780511009532; 9780511035562; 9780511050800; 9780511116988; 9780511483561; 9780521034654; 9780521624503
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: Sex in literature; Body, Human in literature; European literature / Renaissance, 1450-1600; Sexualité dans la littérature; Corps humain dans la littérature; Littérature européenne / 1450-1600 (Renaissance); TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Menselijk lichaam; Literaire thema's; Retorica; Sexualité / Dans la littérature; Corps humain / Dans la littérature; Littérature de la Renaissance; Rhetorik; Human body in literature; Classical literature; European literature; English literature; Stimme <Motiv>; Körper <Motiv>; Literatur; Renaissance; Rezeption
    Weitere Schlagworte: Ovid / 43 B.C.-17 or 18 A.D / Influence; Ovid / 43 B.C.-17 or 18 A.D. / Metamorphoses; Ovide / 43 av. J.-C.-17 ou 18 / Influence; Ovide / 43 av. J.-C.-17 ou 18 / Metamorphoseis; Ovide (0043 av. J.-C.-0017) / Métamorphoses; Ovide / (0043 av. J.-C.-0017) / Influence; Shakespeare, William (1564-1616); Marston, John (1576-1634); Ovidius Naso, Publius (v43-17): Metamorphoses; Petrarca, Francesco (1304-1374); Ovidius Naso, Publius (v43-17)
    Umfang: 1 Online-Ressource (xii, 272 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 227-264) and index

    Acknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience
  3. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521624509
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: Human body in literature; Classical literature; European literature; English literature; Stimme <Motiv>; Körper <Motiv>; Literatur; Renaissance; Rezeption
    Weitere Schlagworte: Shakespeare, William (1564-1616); Marston, John (1576-1634); Ovidius Naso, Publius (v43-17): Metamorphoses; Petrarca, Francesco (1304-1374); Ovidius Naso, Publius (v43-17)
    Umfang: xii, 272 p
    Bemerkung(en):

    Includes bibliographical references (p. 227-264) and index
  4. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483561
    Weitere Identifier:
    RVK Klassifikation: EC 5410 ; EC 7500
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: Human body in literature; Classical literature / History and criticism; European literature / Renaissance, 1450-1600 / History and criticism; English literature / Early modern, 1500-1700 / History and criticism; Stimme <Motiv>; Körper <Motiv>; Literatur; Renaissance; Rezeption
    Weitere Schlagworte: Shakespeare, William (1564-1616); Marston, John (1576-1634); Ovidius Naso, Publius (v43-17): Metamorphoses; Petrarca, Francesco (1304-1374); Ovidius Naso, Publius (v43-17)
    Umfang: 1 online resource (xii, 272 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Acknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index
  5. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature Acknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483561
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: European literature; English literature; Classical literature; Human body in literature; Human body in literature; Classical literature ; History and criticism; European literature ; Renaissance, 1450-1600 ; History and criticism; English literature ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 Online-Ressource (xii, 272 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb... mehr

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511009534; 051103556X; 0511116985; 0511483562; 9780511009532; 9780511035562; 9780511116988; 9780511483561
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: English literature; Human body in literature; European literature; Classical literature
    Umfang: Online-Ressource (xii, 272 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 227-264) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Acknowledgements1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index.
  7. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483561
    RVK Klassifikation: EC 5410 ; HG 410
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: Körper <Motiv>; Rhetorik
    Weitere Schlagworte: Petrarca, Francesco (1304-1374); Shakespeare, William (1564-1616); Marston, John (1576-1634); Ovidius Naso, Publius (v43-17)
    Umfang: 1 Online-Ressource (xii, 272 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England] [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511009534; 9780511009532; 051103556X; 9780511035562; 9780521624503; 0521624509; 0511050801; 9780511050800; 0511116985; 9780511116988; 9780511483561; 0511483562; 1280161825; 9781280161827
    RVK Klassifikation: EC 5410 ; HG 410
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: Körper <Motiv>; Rhetorik
    Weitere Schlagworte: Petrarca, Francesco (1304-1374); Shakespeare, William (1564-1616); Marston, John (1576-1634); Ovidius Naso, Publius (v43-17)
    Umfang: 1 Online-Ressource (xii, 272 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 227-264) and index
  9. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521624509
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: English literature; European literature; Classical literature; Human body in literature; Body, Human, in literature; Electronic books
    Umfang: Online-Ressource (xii, 272 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 227-264) and index

    Electronic reproduction; Available via World Wide Web

    Preliminaries; Contents; Acknowledgements; 1 Pursuing Daphne; 2 Medusa's mouth: body and voice in the Metamorphoses; 3 Embodied voices: autobiography and fetishism in the Rime Sparse; 4 ""Be not obsceane though wanton'': Marston's Metamorphosis of Pigmalions Image; 5 ""Poor instruments'' and unspeakable events in The Rape of Lucrece; 6 ""You speak a language that I understand not'': the rhetoric of animation in The Winter's Tale; Notes; Index; Cambridge Studies in Renaissance Literature and Culture
  10. The rhetoric of the body from Ovid to Shakespeare
    Autor*in: Enterline, Lynn
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often... mehr

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    This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature Acknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483561
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 35
    Schlagworte: European literature; English literature; Classical literature; Human body in literature; Human body in literature; Classical literature ; History and criticism; European literature ; Renaissance, 1450-1600 ; History and criticism; English literature ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 Online-Ressource (xii, 272 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)