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"By means of colors"
a Judeo-Christian dialogue in Byzantine iconography -
"By the power of God"
rhetoric and ideology in 2 Corinthians 10-13 -
"By the power of God". Rhetoric and ideology in 2 Corinthians 10-13
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"C" is for corpse
a Kinsey Millhone mystery -
"C'est vous, Monsieur le Commandant?" une certaine image
the French colonial administrator in the late colonial African novel -
"Campus life ..."
a three-act play -
"Canto ergo sum"
indigenous peoples and postcolonial theology -
"Captains courageous"
a story of the Grand Banks -
"Carlyle's house" and other sketches
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"Carlyle's house" and other sketches
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"Cashville"
dilution of original country music identity through increasing commercialization -
"Chopper: From the Inside": discourses of the 'celebrity' criminal Mark Brandon Read
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"Clothes make the man"
the male artist as a performative function -
"Collective" models of household behavior
the sharing rule approach -
"Color struck" under the gaze
ethnicity and the pathology of being in the plays of Johnson, Hurston, Childress, Hansberry, and Kennedy -
"Color struck" under the gaze
ethnicity and the pathology of being in the plays of Johnson, Hurston, Childress, Hansberry, and Kennedy -
"Color struck" under the gaze
ethnicity and the pathology of being in the plays of Johnson, Hurston, Childress, Hansberrry, and Kennedy -
"Color struck" under the gaze
ethnicity and the pathology of being in the plays of Johnson, Hurston, Childress, Hansberry, and Kennedy -
"Colored Alphabets' Flutter."
John Ashbery and the twentieth-century American avant-gardes -
"Colored Alphabets' Flutter."
John Ashbery and the twentieth-century American avant-gardes -
"Combustion-focal point"
studying the image in Benjamin's "Life of students" -
"Concord in discord"
the plays of John Ford ; 1586 - 1986 -
"Concord in discord"
the plays of John Ford, 1586 - 1986 -
"Concord in discord"
the plays of John Ford, 1586 - 1986 -
"Confess if you be guilty"
witchcraft records in their linguistic and socio-cultural context