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" Mirrors in transition"
Conflicting images of society in change from popular Chinese social novels, 1908 to 1930 -
" Public purpose" and expropriation
Some comparative insights and the SA Bill of Rights -
" Remittances are beautiful"?
Gender implications of the new global remittances trend -
" Sozaboy"
Language and a disordered world -
" Thematic archetypes" and new era fiction
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"(Ge)wyrd": emendations to three anonymous Old English homilies and saints' lives
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"... dichterisch wohnet der Mensch ..."
upon self-forgetfulness -
"... thereafter he shut the door"
Matthew 25.10c in the "Schøjen Codex" ; a short note -
"A desire unto death"
the deconstructive thanatology of Jean-Luc Marion -
"A forum for stimulating ideas ... in matters literary and linguistic"
the making of an academic journal -
"A forum for stimulating ideas ... in matters literary and linguistic"
the making of an academic journal -
"A future for Astyanax"
alternative and imagined futures for Hector's son in classical and European drama -
"A person can change"
grace, forgiveness and sonship in Marilynne Robinson's novel "Gilead" -
"A way of seeing the world"
synthesizing art and belief in Walker Percy's novels -
"Aber wie soll ich denn aus dem Jiddischen übersetzen?"
Gershom Scholem and the problem of translating Yiddish -
"Ad regnum caritatis"
the finality of biblical interpretation in Augustine and Ricoeur -
"Amplexus Bernardi"
the dissemination of a Cistercian motif in the later Middle Ages -
"An Account of an Unaccountable Distemper"
The Experience of Pain in Early Eighteenth-Century England and France -
"An outsider's view of modern Ireland
Michel Houellebecq's "Atomised" -
"And God became human"
conversations within the humanities -
"And on the earth you shall sleep"
"Talmud Torah" and rabbinic asceticism -
"And the signs are following": Mark 16.9-20
a journey into Pentecostal hermeneutics -
"Aramaizing" in the LXX: bilingual interference and trilingual lexical identity
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"As reading as if"
Harryette Mullen's 'cognitive similes' -
"As we are so we make"
life as composition in Søren Kierkegaard and Dietrich Bonhoeffer