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Our contribution seeks to render intelligible minor forms of a world-consciousness generated through social and cultural practices. Departing from Zineb Sedira’s installation “Dreams Have No Titles” for the French Pavilion of the 2022 Venice Biennale and concluding with our project’s research exhibition “The Pregnant Oyster: Doubts on Universalism” at Berlin’s Haus der Kulturen der Welt, we discuss how narrative forms (beyond the book) produce experiences of a shared world. Shifting from an understanding of universality as effect of the universal in particular worlds, we return to the epistemological proposal of the microstoria (Ginzburg, Levi, Revel) to inverse this relation. In doing so, we suggest the concept of a minor univer- sality, by which we describe the genesis of a universal consciousness from concrete contexts. Our notion mobilises Deleuze and Guattari’s concept of the minor through their engagement with Franz Kafka. We draw on it to address the Algerian anti-colonial struggle and the practice of sonic radio resistance described in Frantz Fanon’s “This is the Voice of Free Algeria”. Not captured through the binary of power/resis- tance, minority/majority, ours/yours, the minor produces instead a potentiality for change, for the not-yet, which foreshadows and intuits a new humanity. ; European Research Council (ERC) Consolidator Grant
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