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  1. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Autor*in: Gaylard, Susan
    Erschienen: [2013]; © 2013
    Verlag:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823252183
    Weitere Identifier:
    Schlagworte: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Umfang: 1 online resource (372 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Autor*in: Gaylard, Susan
    Erschienen: [2013]; © 2013
    Verlag:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823252183
    Weitere Identifier:
    Schlagworte: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Umfang: 1 online resource (372 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. [Shakespeare, William] The Shakespeare Birthplace Trust
    Erschienen: 2005

    Scholarly Organizations ; so1 Sites about Persons ; au The Shakespeare Birthplace Trust came into existence after the purchase of Shakespeare's Birthplace in 1847 in order to preserve it as a national monument. One of its main objects is to promote... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    AnglGuide

     

    Scholarly Organizations ; so1 Sites about Persons ; au The Shakespeare Birthplace Trust came into existence after the purchase of Shakespeare's Birthplace in 1847 in order to preserve it as a national monument. One of its main objects is to promote the appreciation of Shakespeare's works. The website features a detailed biography, bibliography, and information on the society and its work.

     

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