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  1. Mountain/Home
    new translations from Japan
    Beteiligt: Lowitz, Leza (HerausgeberIn); Stewart, Frank (HerausgeberIn)
    Erschienen: [2017]
    Verlag:  University of Hawaii Press, Honolulu

    Mountain/Home presents new translations of Japanese literature from the country’s medieval period to the present. The narrative arc of the selections follows the evolution of Japan’s national self-image. Because Mount Fuji, more than any other... mehr

    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Mountain/Home presents new translations of Japanese literature from the country’s medieval period to the present. The narrative arc of the selections follows the evolution of Japan’s national self-image. Because Mount Fuji, more than any other national symbol, has represented the soul of Japan, Mountain/Home begins with works inspired by the mountain’s presence. They include excerpts from some of the first literary works in which Mount Fuji appears: the mysterious Tale of the Bamboo Cutter, early court poetry, and the Confessions of Lady Nijо̄, among others. These works are followed by a chapter from Lady Murasaki’s brilliant novel, The Tale of Genji, and Edo-period haiku by Bashо̄ and Issa. In the twentieth century, Japan went through its darkest years. But out of the trauma of militarism, war, devastation, and defeat came outstanding fiction by Dazai Osamu and Natsume Sо̄seki, as well as avant-garde poetry by Yoshioka Minoru and Ayukawa Nobuo. In recent decades, contemporary optimism has produced writing that breaks new literary ground without forgetting the past: experimental fiction by Kurahashi Yumiko and poetry about everyday life by Takahashi Mutsuo.

     

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    Beteiligt: Lowitz, Leza (HerausgeberIn); Stewart, Frank (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824877668
    Weitere Identifier:
    Schriftenreihe: Mānoa
    Schlagworte: anthologies.; Japan.; Japanese fiction.; Japanese poetry.; literature.; translation.
    Umfang: 1 Online-Ressource
  2. Teika
    the life and works of a medieval Japanese poet
    Autor*in: Atkins, Paul S.
    Erschienen: 2017; ©2017
    Verlag:  University of Hawai'i Press, Honolulu

    Fujiwara no Teika (1162–1241) was born into an illustrious lineage of poets just as Japan’s ancien régime was ceding authority to a new political order dominated by military power. Overcoming personal and political setbacks, Teika and his allies... mehr

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Fujiwara no Teika (1162–1241) was born into an illustrious lineage of poets just as Japan’s ancien régime was ceding authority to a new political order dominated by military power. Overcoming personal and political setbacks, Teika and his allies championed a new style of poetry that managed to innovate conceptually and linguistically within the narrow confines of the waka tradition and the limits of its thirty-one syllable form. Backed by powerful patrons, Teika emerged finally as the supreme arbiter of poetry in his time, serving as co-compiler of the eighth imperial anthology of waka, Shin Kokinshū (ca. 1210) and as solo compiler of the ninth.This first book-length study of Teika in English covers the most important and intriguing aspects of Teika’s achievements and career, seeking the reasons behind Teika’s fame and offering distinctive arguments about his oeuvre. A documentary biography sets the stage with valuable context about his fascinating life and times, followed by an exploration of his “Bodhidharma style,” as Teika’s critics pejoratively termed the new style of poetry. His beliefs about poetry are systematically elaborated through a thorough overview of his writing about waka. Teika’s understanding of classical Chinese history, literature, and language is the focus of a separate chapter that examines the selective use of kana, the Japanese phonetic syllabary, in Teika’s diary, which was written mainly in kanbun, a Japanese version of classical Chinese. The final chapter surveys the reception history of Teika’s biography and literary works, from his own time into the modern period. Sometimes venerated as demigod of poetry, other times denigrated as an arrogant, inscrutable poet, Teika seldom inspired lukewarm reactions in his readers.Courtier, waka poet, compiler, copyist, editor, diarist, and critic, Teika is recognized today as one of the most influential poets in the history of Japanese literature. His oeuvre includes over four thousand waka poems, his diary, Meigetsuki, which he kept for over fifty years, and a fictional tale set in Tang-dynasty China. Over fifteen years in the making, Teika is essential reading for anyone interested in Japanese poetry, the history of Japan, and traditional Japanese culture.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824858704
    Weitere Identifier:
    Schlagworte: Poets, Japanese; literature.; Meigetsuki.; poetry.; reception history.; Sadaie.; waka.; LITERARY CRITICISM / Asian / Japanese
    Umfang: 1 Online-Ressource (x, 265 Seiten)
  3. Photographic literacy
    cameras in the hands of Russian authors
    Erschienen: [2018]; © 2018
    Verlag:  Cornell University Press, Ithaca

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted... mehr

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    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.

     

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