Letzte Suchanfragen
Ergebnisse für *
Zeige Ergebnisse 1 bis 25 von 30.
-
‘It’s not for me to smile at their tyranny’: Democracy and Dialogue in Charles Brockden Brown’s Alcuin
-
A ‘Dish Offered to the Public’: The Business of Gender and Class in Nathaniel Hawthorne’s The House of the Seven Gables
-
Introduction: Literature and Consumption in Nineteenth-Century America
-
Technological Progress, Adult Power, and Teenage Bodies: What It Means to Be Human in 21st-Century Dystopias for Young Adults
-
"What, Indeed, Is the Matter with (Young Adult) Dystopia?": A Short Introduction
-
Students Exploring Dystopias in Fiction and Film: A Classroom Practice Report
-
Teaching Young Adult Dystopian Fiction: A Bibliography
-
‘A Family of Peculiar Construction’: Tisch-(Un)Ordnungen in Frank J. Webbs The Garies and Their Friends
-
“Space, Place, and Narrative”: A Short Introduction
-
A(t) Home on the Frontier: Place, Narrative, and Material Culture in Caroline Kirkland and Eliza Farnham
-
Framing War: Teaching (with) the Graphic Novel The Photographer
-
Louisa May Alcott, Little Women (1868)
-
Locating the Other/Self: Memory and Self in Michelle Cliff’s Abeng
-
‘Love Across a Distance’: Friendships and Family Relations in 21st-Century American Short Stories
-
Transcultural Negotiations of the Self: The Poetry of Wendy Rose and Joy Harjo
-
‘A Family of Peculiar Construction’: Tisch-(Un)Ordnungen in Frank J. Webbs The Garies and Their Friends
-
“Space, Place, and Narrative”: A Short Introduction
-
A(t) Home on the Frontier: Place, Narrative, and Material Culture in Caroline Kirkland and Eliza Farnham
-
Framing War: Teaching (with) the Graphic Novel The Photographer
-
Louisa May Alcott, Little Women (1868)
-
Locating the Other/Self: Memory and Self in Michelle Cliff’s Abeng
-
‘Love Across a Distance’: Friendships and Family Relations in 21st-Century American Short Stories
-
Transcultural Negotiations of the Self: The Poetry of Wendy Rose and Joy Harjo
-
‘It’s not for me to smile at their tyranny’: Democracy and Dialogue in Charles Brockden Brown’s Alcuin
-
A ‘Dish Offered to the Public’: The Business of Gender and Class in Nathaniel Hawthorne’s The House of the Seven Gables