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  1. Tyre's Glory and Demise
    Totalizing Description in Ezekiel 27
    Autor*in: Vayntrub, Jacqueline
    Erschienen: 2020

    In Ezekiel 27, the city of Tyre is depicted as a beautiful ship whose success in trade is the very cause of its demise. As a seafaring vessel, Tyre is laden with goods from the surrounding nations with whom it trades. But a heavy ship in a storm can... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    In Ezekiel 27, the city of Tyre is depicted as a beautiful ship whose success in trade is the very cause of its demise. As a seafaring vessel, Tyre is laden with goods from the surrounding nations with whom it trades. But a heavy ship in a storm can sink. In Ezekiel 27, weightiness-“glory” ( כבוד )-turns to excess weight, and it is precisely this weightiness that brings about Tyre’s failure on the sea. The presentation of Tyre’s demise is heightened by a preceding praise of its glory. This glory is the city’s beauty, systematically described from end to end, as perfect bodies are in biblical and ancient Near Eastern literature. Ezekiel 27 is thus animated by two simultaneous metaphors: the city as a ship, whose weight determines its viability on the sea, and the city as a body, whose interaction with others determines its success in the world but whose corporeal boundaries must be maintained for health.

     
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    Sprache: Englisch
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    Format: Online
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    Übergeordneter Titel: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic Biblical Association of America, 1939; 82(2020), 2, Seite 214-236; Online-Ressource

    Schlagworte: AESTHETICS; BIBLICAL literalism; Ezekiel; FEASIBILITY studies; GLORY; PRAISE; Tyre; beauty; bodies; glory; lament; praise; waṣf
  2. Translating Psalms for Performance and Their Use in Various Ministries within the Church
    Examples from South Africa
    Autor*in: Dickie, June F.
    Erschienen: 2022

    The Psalms were composed for oral performance, and many today believe they should be restored to their performance vitality. “Translation for performance” requires many concepts to be considered, one of which is how the audience (or receptor... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    The Psalms were composed for oral performance, and many today believe they should be restored to their performance vitality. “Translation for performance” requires many concepts to be considered, one of which is how the audience (or receptor community) will use the translated text. In the case of translating poetry, these considerations often point to the value of literary-rhetorical translation, which captures the poetical beauty and persuasive power of the original. Also, translating from an oral text and following the form of local poetic genres facilitates ready application of psalms. In this paper, empirical studies illustrate some ways in which psalms have been used recently with communities in South Africa: in corporate worship, in personal prayer, and with sectoral groups. Translators need constantly to keep their eye on the end game, to ensure the translated psalms facilitate a living conversation between people and God, as the ancient poems did.

     
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    Übergeordneter Titel: Enthalten in: The Bible translator; London : Sage, 1950; 73(2022), 1, Seite 6-25

    Schlagworte: imagination; orality; ritual; community; trauma-healing; literary translation; performance; lament; praise; audience; Psalms
  3. The Divine Christology of ‘Remember Me’ (Luke 23:42) in Light of Lament
    Autor*in: Crisler, Channing L.
    Erschienen: 2023

    Luke’s crucifixion scene includes a brief and unique exchange between the crucified Jesus and an unidentified crucified individual often referred to as the ‘penitent thief’. The dialogue between the two only spans two verses (Luke 23:42-43). Among... mehr

     

    Luke’s crucifixion scene includes a brief and unique exchange between the crucified Jesus and an unidentified crucified individual often referred to as the ‘penitent thief’. The dialogue between the two only spans two verses (Luke 23:42-43). Among the words they exchange, interpreters sometimes neglect the thief’s request - ‘remember me’ (μνήσθητί μου) - and its Christological implications. This article explores those implications given the request’s intertextual and intratextual features as well as its reception history. Based on these features, the overarching argument is that the cry ‘remember me’ functions as a dying lament shaped by similar laments in Israel’s Scriptures. The ‘remember me’ of this ‘lamenting thief’ is a request for divine forgiveness, mercy, and vindication. Such cries are normally directed to Israel’s God alone within the cultural heritage of Second Temple Judaism. In this way, Luke not only includes Jesus within the divine identity of Israel’s God, but, in the climactic scene of his biography, he brings him into the deepest contours of that relationship, namely the cry for deliverance in the face of death and judgement.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Tyndale bulletin; Cambridge : Tyndale House, 1966; 74(2023), Seite 161-180; Online-Ressource

    Schlagworte: divine christology; intertextuality; lament; lukan christology; luke; new testament; old testament; passion narrative; penitent thief; petitionary prayer