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  1. More Syriac Graffiti at the Southern Entrance to the Church of the Holy Sepulchre
    Autor*in: Locatell, Christian S.
    Erschienen: 2022

    This article presents nine Syriac graffiti which until now have been overlooked in the literature on the well-known inscriptions at the entrance to the Church of the Holy Sepulchre. These additional graffiti attest to known and unknown Syriac... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    This article presents nine Syriac graffiti which until now have been overlooked in the literature on the well-known inscriptions at the entrance to the Church of the Holy Sepulchre. These additional graffiti attest to known and unknown Syriac pilgrims who visited the church. Some can be located within the Ottoman period while the date of others is less clear. Several of the graffiti are of particular interest. One attests to the visitation of a well-known East Syriac cleric, and another provides a clue to the architectural history of the closed eastern door at the southern entrance.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Aramaic studies; Leiden : Brill, 2003; 20(2022), 1, Seite 44-71; Online-Ressource

    Schlagworte: pilgrims; Church of the Holy Sepulchre; inscriptions; graffiti; Syriac
  2. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Autor*in: Robbins, Jill
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     
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  3. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Autor*in: Robbins, Jill
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     
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  4. Challenging memories and rebuilding identities
    literary and artistic voices that undo the lusophone Atlantic
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Erschienen: [2020]; © 2020
    Verlag:  Taylor & Francis

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various... mehr

    Standort:
    Universitätsbibliothek Duisburg-Essen
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlanticexplores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various fields of expertise examine the ways contemporary writers, artists, directors, andmusiciansexplore canonical forms in visual arts, cinema, music and literature, and introduce innovation in their narratives, at the same time they discuss the social and historical context they belong to

     
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    Quelle: Verbundkataloge
    Beteiligt: Rendeiro, Margarida (Herausgeber); Lupati, Federica (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367338442
    Weitere Identifier:
    9780367338442
    Schriftenreihe: Routledge Interdisciplinary Perspectives on Literature
    Schlagworte: LITERARY CRITICISM / Modern / General; Angela Davis; Angola; anticolonialism; Brazilian Culture; Brazilian literature; cinema; colonialism; decolonization; documentary; film; gender; graffiti; horror film; Lisbon; Lusophone African Countries; masculinity; music; narrative; neolibralism; Plantation Memories; Portuguese culture; Portuguese literature; Postcolonial studies; protest music; rap; revolution; Sao Paulo; Slavery; street art; urban space; violence
    Weitere Schlagworte: Spanische Literatur; Spanien; Portugiesische Literatur; Portugal; Moderne (1500 -; Literarische Strömungen & Epochen
    Umfang: xi, 231 Seiten, 617 grams
    Bemerkung(en):

    Introduction, Margarida Rendeiro and Federica Lupati; 1. Bridging Borders: Travelling through Ruy Duarte de Carvalho’s Life and Works; Hilarino da Luz; 2.Spousal Violence: Violent Masculinity in Ferréz and Marcelino Freire; André Nascimento; 3. An Infernal Eden: Postmodern Apocalyptic Tone in Deus-dará and its Use as a Critique of Lusophone Racism; Maggie L.N. Felisberto; 4. To Decolonize is to Perform:The Theory-in-Praxisof Grada Kilomba; Inês Beleza Barreiros and Joacine Katar Moreira; 5. Recognition on the Walls: Street Art and Pixo in São Paulo, Alexandre Barbosa Pereira; 6. Streets of Revolution: Analyzing Representations of the Carnation Revolution in Street Art; Margarida Rendeiro; 7. "Dance is a Disguise": Batida and the ‘infrapolitics’ of Dance Music in Postcolonial Portugal; Pedro Schacht Pereira; 8. The Luso and Rap: The Political Reinvention of Language; Susan de Oliveira; 9. Revolution and Poetry: Portuguese Rap as a Contemporary Practice of Protest Songs; Federica Lupati; 10. Tragic Revolutions on Screen: Decolonization revisited in Cavalo Dinheiro [Horse Money] (2014) by Pedro Costa and Virgem Margarida [Virgin Margarida] (2012) by Licínio Azevedo; Anna Mester; 11. Scaring the Canon, Criticizing the Country: Brazilian Horror Film in the 21st Century; Jeremy Lehnen; 12. Filming Ghosts: Reviving Memories in Haunted Spaces, Personal Reflections; Pedro Neves