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  1. Concentrationary imaginaries
    tracing totalitarian violence in popular culture
    Beteiligt: Pollock, Griselda (Hrsg.); Silverman, Maxim (Hrsg.)
    Erschienen: 2015
    Verlag:  I.B. Tauris, London

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Pollock, Griselda (Hrsg.); Silverman, Maxim (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781784530440; 9780857725448
    Schlagworte: Violence in popular culture; Violence in mass media; Violence in motion pictures; Violence on television; Rezeption; Film; Gewalt <Motiv>
    Umfang: 1 online resource (322 pages), illustrations
    Bemerkung(en):

    Includes filmography

    Description based on online resource; title from PDF title page (ebrary, viewed March 15, 2016)
  2. Concentrationary imaginaries
    tracing totalitarian violence in popular culture
    Beteiligt: Pollock, Griselda (HerausgeberIn); Silverman, Maxim (HerausgeberIn)
    Erschienen: [2015]
    Verlag:  I.B. Tauris & Co. Ltd, London [u.a.]

    In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 949617
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian mentality has seeped into the deepest recesses of everyday popular culture. It asks if the concentrationary now infests our cultural imaginary, normalizing what was once considered horrific and exceptional by transforming into entertainment violations of human life. Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pollock, Griselda (HerausgeberIn); Silverman, Maxim (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781784534097; 1784534099
    Schriftenreihe: New encounters
    Schlagworte: Violence in motion pictures; Violence on television
    Umfang: xix, 300 Seiten, Illustrationen
  3. Concentrationary imaginaries
    tracing totalitarian violence in popular culture
    Beteiligt: Pollock, Griselda (HerausgeberIn); Silverman, Maxim (HerausgeberIn)
    Erschienen: [2015]
    Verlag:  I.B. Tauris & Co. Ltd, London [u.a.]

    In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian mentality has seeped into the deepest recesses of everyday popular culture. It asks if the concentrationary now infests our cultural imaginary, normalizing what was once considered horrific and exceptional by transforming into entertainment violations of human life. Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pollock, Griselda (HerausgeberIn); Silverman, Maxim (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781784534097; 1784534099
    Schriftenreihe: New encounters
    Schlagworte: Violence in motion pictures; Violence on television
    Umfang: xix, 300 Seiten, Illustrationen