In <i>Vampires, Race, and Transnational Hollywoods</i>, Dale Hudson explores the movement of transnational Hollywood’s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong...
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Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood’s vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa
Title from publisher's bibliographic system (viewed on 25 Jan 2018)
Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up
