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  1. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136350
    RVK Klassifikation: GM 2660
    Schlagworte: Geschichte; Wissen; Ästhetik; Theater / History / 20th century; Theatertheorie
    Weitere Schlagworte: Brecht, Bertolt / 1898-1956 / Aesthetics; Brecht, Bertolt / 1898-1956 / Knowledge / Performing arts; Brecht, Bertolt (1898-1956)
    Umfang: 1 online resource (viii, 348 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform
  2. Naturalism in theatre
    its development and legacy
    Autor*in: Pickering, Kenneth; Thompson, Jayne
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230361072; 9780230361089
    RVK Klassifikation: EC 7503
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theater / History / 19th century; Theater / History / 20th century; Naturalism in literature; Geschichte; Naturalismus; Drama
    Umfang: XVI, 232 S., Ill.
  3. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2010
    Verlag:  Camden House, Rochester, NY [u.a.]

    Standort:
    Staats- und Stadtbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: GM 2660
    Auflage/Ausgabe: 1. publ., repr. in paperback
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Theater / History / 20th century; Geschichte; Wissen; Theatertheorie
    Weitere Schlagworte: Brecht, Bertolt / 1898-1956 / Criticism and interpretation; Brecht, Bertolt / 1898-1956 / Knowledge / Performing arts; Brecht, Bertolt (1898-1956)
    Umfang: 348 S.
  4. Kitsch et théâtralité
    effets et affects
    Erschienen: 2012
    Verlag:  Éd. Univ. de Dijon, Dijon

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782364410107
    Weitere Identifier:
    9782364410107
    RVK Klassifikation: EC 8780
    Schriftenreihe: Collection Écritures
    Schlagworte: Theater / 20th century / Criticism; Drama / 20th century / History and criticism; Theater / History / 20th century; Kitsch in literature; Aesthetics, Modern / 20th century; Geschichte; Kitsch; Drama
    Umfang: 223 S., [4] Bl., Ill., 23 cm
    Bemerkung(en):

    Notes bibliogr. et webliogr.
  5. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511576591
    Weitere Identifier:
    RVK Klassifikation: EC 7507 ; HU 1771
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Geschichte; Psychologie; Drama / 20th century / History and criticism; Theater / History / 20th century; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945) / Psychological aspects; Judenvernichtung <Motiv>; Drama
    Umfang: 1 online resource (vi, 447 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory
  6. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136350
    RVK Klassifikation: GM 2660
    Schlagworte: Geschichte; Wissen; Ästhetik; Theater / History / 20th century; Theatertheorie
    Weitere Schlagworte: Brecht, Bertolt / 1898-1956 / Aesthetics; Brecht, Bertolt / 1898-1956 / Knowledge / Performing arts; Brecht, Bertolt (1898-1956)
    Umfang: 1 online resource (viii, 348 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform
  7. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2010
    Verlag:  Camden House, Rochester, NY [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: GM 2660
    Auflage/Ausgabe: 1. publ., repr. in paperback
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Theater / History / 20th century; Geschichte; Wissen; Theatertheorie
    Weitere Schlagworte: Brecht, Bertolt / 1898-1956 / Criticism and interpretation; Brecht, Bertolt / 1898-1956 / Knowledge / Performing arts; Brecht, Bertolt (1898-1956)
    Umfang: 348 S.