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  1. The new entrepreneurs
    an institutional history of television anthology writers
    Autor*in: Kraszewski, Jon
    Erschienen: ©2010
    Verlag:  Wesleyan University Press, Middletown, Conn.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0819569461; 081956947X; 0819571032; 9780819569462; 9780819569479; 9780819571038
    Schriftenreihe: Wesleyan film
    Schlagworte: Television / Production and direction / United States; Television authorship / United States; Television plays, American / History and criticism; Television programs / Economic aspects / United States; Fine Arts; Literature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Television authorship; Television plays, American; Television / Production and direction; Television programs / Economic aspects; Television programs / Social aspects; Gesellschaft; Literatur; Television authorship; Television plays, American; Television; Television programs; Television programs
    Umfang: 1 Online-Ressource (xi, 213 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction -- Between the television and book publishing industries : anthology writers and their struggle for authorial identities -- Between the television and theater industries : representations of race in Rod Serling's "Noon on doomsday" -- Between the television and motion picture industries : Paddy Chayefsky's "Marty" as art cinema -- New strategies for entrepreneurship : Reginald Rose, The defenders, and the 1960s television industry -- A new zone of production? Rod Serling's attempt to redefine the role of the writer in the 1960s television industry

    How television writers thwarted the constraints of corporate culture in the 1950s and flourished