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  1. To realize the universal
    allegorical narrative in Thornton Wilder's plays and novels
  2. <<The>> thought of W.B. Yeats
    Autor*in: Arkins, Brian
    Erschienen: 2010
    Verlag:  Peter Lang, Oxford

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300406; 3035300402
    RVK Klassifikation: HL 4945
    Schriftenreihe: Reimagining Ireland ; 18
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Philosophy / (OCoLC)fst01060777; Political and social views / (OCoLC)fst01353986; Technique / (OCoLC)fst01355129; Irländska författare / 1900-talet
    Weitere Schlagworte: Yeats, W. B. / (William Butler) / 1865-1939 / Philosophy; Yeats, W. B. / (William Butler) / 1865-1939 / Political and social views; Yeats, W. B. / (William Butler) / 1865-1939 / Technique; Yeats, W. B. / 1865-1939 / Yeats, William Butler / Philosophy; Yeats, W. B. / 1865-1939 / Yeats, William Butler / Political and social views; Yeats, W. B. / 1865-1939 / Yeats, William Butler / Technique; Yeats, W. B. / (William Butler) / 1865-1939 / (OCoLC)fst00029120; Yeats, William B.; Yeats, W. B. / (William Butler) / 1865-1939 / analys och tolkning
    Umfang: 1 online resource (xi, 192 pages)
    Bemerkung(en):

    Print version record

    Includes bibliographical references (pages 183-187) and index

    All things doubled: the theme of opposites in Yeats -- Yeats and religion -- Yeats and sex -- Yeats and politics -- Apocalypse: Yeats' A vision -- Further Greek themes in Yeats -- Passionate syntax: style in the poetry of Yeats

  3. Multilevel representations of power in Harold Pinter's plays
    Erschienen: 2015
    Verlag:  Peter Lang GmbH, Frankfurt am Main

    "The study offers an interdisciplinary analysis of Harold Pinter's dramatic discourse and focuses on the way power makes the characters play on the borders of linguistic, spatial, narrative and gender configurations. It examines the experimental... mehr

     

    "The study offers an interdisciplinary analysis of Harold Pinter's dramatic discourse and focuses on the way power makes the characters play on the borders of linguistic, spatial, narrative and gender configurations. It examines the experimental nature of Harold Pinter's dramatic technique and how he compromises both the realistic and the absurd dramatic formulae. The study also investigates the narrative of the past - a new dramatic technique in Pinter's Plays, which brings into focus the inner life of the characters without causing any severe disturbance to the realistic conventional formula. It asserts that the narratives of the past become a form of doing, of being anchored in life and of acting in response to it. It also argues that sexuality is constantly submitted to manipulation and that women are more prepared than men to transgress gender constructions" --

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783653053692; 3653053692
    Auflage/Ausgabe: First edition
    Schlagworte: Psychology in literature; Drama / Technique; Power (Social sciences) in literature; Drama / Technique / (OCoLC)fst00897512; Power (Social sciences) in literature / (OCoLC)fst01074235; Psychology in literature / (OCoLC)fst01081559; Technique / (OCoLC)fst01355129; DRAMA / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Pinter, Harold / 1930-2008 / Criticism and interpretation; Pinter, Harold / 1930-2008 / Technique; Pinter, Harold / 1930-2008 / (OCoLC)fst01732308; Pinter, Harold / 1930-2008
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Introduction -- A preliminary analysis of Harold Pinter's dramatic technique. Breaking the realistic convention; Surveying power through multi-layered games. The complicity of language, narration, space and gender constructions -- Spatial configurations. Territorial confrontations; Body and object negotiations; Uses and abuses of language; Language: a means of elusion. avoiding the painful encounter with the other; The theory of politeness: preserving the illusion of the self -- Representations of the past. The narrative of the past. The past: a means of dissimulation; Indebtedness to the past: memory and amnesia -- Representations of sexuality. Women transgressing the norm; Women: the embodiment of otherness -- Conclusions

  4. Wordly wise
    the semiotics of discourse in Dante's Commedia