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  1. Shakespeare and the power of performance
    stage and page in the Elizabethan theatre
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481437
    Weitere Identifier:
    Schlagworte: English drama; Shakespeare, William ; 1564-1616 ; Technique; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Characters; English drama ; 17th century ; History and criticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 266 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. Shakespeare and the power of performance
    stage and page in the Elizabethan theatre
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the... mehr

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    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481437
    Weitere Identifier:
    Schlagworte: English drama; Shakespeare, William ; 1564-1616 ; Technique; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Characters; English drama ; 17th century ; History and criticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 266 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)