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  1. Great Shakespeareans Set IV
    Autor*in: Poole, Adrian
    Erschienen: 2014
    Verlag:  Bloomsbury Publishing, London

    Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe

     

    Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441145284
    Schriftenreihe: Great Shakespeareans
    Great Shakespeareans Ser.
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation..; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (1168 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Half-title; Title; Contents; Volume XIV: Hugo, Pasternak, Brecht, Césaire; Half-title; Title; Copyright; Contents; Series Editors' Preface; List of Illustrations; Notes on Contributors; Introduction: Writing Against Tyranny; Chapter 1 Les Hugo; Chapter 2 Indirect Dissidence, Shakespeare, and Pasternak; Chapter 3 Brecht as Great Shakespearean: A Lifelong Connection; Chapter 4 Aimé Césaire, Une Tempête : On Poetry, Legacy and Work; Notes; Select Bibliography; Index; Volume XV: Poel, Granville Barker, Guthrie, Wanamaker; Half-title; Title; Copyright; Contents; Series Editors' Preface

    AcknowledgementsList of Illustrations; Notes on Contributors; Introduction; Chapter 1 William Poel; Chapter 2 H. Granville Barker; Chapter 3 Tyrone Guthrie; Chapter 4 Sam Wanamaker; Endnotes; Selected Bibliography; Index; Volume XVI: Gielgud, Olivier, Ashcroft, Dench; Half-title; Title; Copyright; Contents; Series Editors' Preface; Notes on Contributors; Note on References to Shakespeare; Introduction; Chapter 1 John Gielgud; Chapter 2 Laurence Olivier; Chapter 3 Peggy Ashcroft; Chapter 4 Judi Dench; Notes; Select Bibliography; Index; Volume XVII: Welles, Kurosawa, Kozintsev, Zeffirelli

    Half-titleTitle; Copyright; Contents; Series Editors' Preface; Acknowledgements; A Note on References; Notes on Contributors; Introduction; Chapter 1 Orson Welles; Chapter 2 Akira Kurosawa; Chapter 3 Grigori Kozintsev; Chapter 4 Franco Zeffirelli; Notes; Select Bibliography; Index; Volume XVIII: Brook, Hall, Ninagawa, Lepage; Half-title; Title; Copyright; Contents; Series Editors' Preface; Notes on Contributors; Introduction; Chapter 1 Peter Brook; Chapter 2 Peter Hall; Chapter 3 Yukio Ninagawa; Chapter 4 Robert Lepage; Notes; Select Bibliography; Index
  2. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Autor*in: Galey, Alan
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
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  3. Dryden, Pope, Johnson, Malone
    Great Shakespeareans: Volume I
    Autor*in: Rawson, Claude
    Erschienen: 2014
    Verlag:  Bloomsbury Publishing, London

    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
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    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    eBook ProQuest
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    E-Books ProQuest Academic
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    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    E-Book Proquest
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    EBS ProQuest
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    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Alexander Pope, John Dryden, Samuel Johnson and Edmond Malone to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780826420862
    Schriftenreihe: Great Shakespeareans
    Great Shakespeareans Ser. ; v.1
    Schlagworte: Shakespeare, William, -- 1564-1616 -- Criticism and interpretation -- History; Shakespeare, William, -- 1564-1616 -- Appreciation -- Great Britain; Dryden, John, -- 1631-1700 -- Criticism and interpretation; Pope, Alexander, -- 1688-1744 -- Criticism and interpretation; Dryden, John ; 1631-1700 ; Criticism and interpretation; Pope, Alexander ; 1688-1744 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Appreciation ; Great Britain; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (248 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Contents; Acknowledgements; Notes on Contributors; Series Preface; Introduction; 1 John Dryden; 2 Alexander Pope; 3 Samuel Johnson; 4 Edmond Malone; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W
  4. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Autor*in: Galey, Alan
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Standort:
    Peace Research Institute Frankfurt, Bibliothek
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    E-Book CUP HSFK
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)