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  1. Queer representation, visibility, and race in American film and television
    screening the closet
    Autor*in: Kohnen, Melanie E. S.
    Erschienen: 2016
    Verlag:  Routledge, New York ; London

    "This book examines the proliferation of gay, lesbian, and queer representations in mainstream American media over the past forty years. Kohnen argues that queer media visibility has become a narrowly defined category that upholds normative ideas... mehr

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book examines the proliferation of gay, lesbian, and queer representations in mainstream American media over the past forty years. Kohnen argues that queer media visibility has become a narrowly defined category that upholds normative ideas about sexuality, race, and the American nation. She examines how and why this limited and limiting concept of queer visibility has become the embodiment of progressive and liberatory LGBT media representations and traces the uneven history of queer media visibility through crucial turning points including the early gay liberation movement of the late 1960s/70s, the AIDS crisis of the 80s, the so-called explosion of gay visibility of the 90s and the reimagination of queer citizenship after the events of 9/11. Further, Kohnen reveals how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and peoples of the American nation"...

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203152706
    Weitere Identifier:
    RVK Klassifikation: AP 59783
    Schriftenreihe: Routledge research in cultural and media studies ; 36
    Schlagworte: SOCIAL SCIENCE / Media Studies / bisacsh; SOCIAL SCIENCE / Lesbian Studies / bisacsh; SOCIAL SCIENCE / Gay Studies / bisacsh; Sexual minorities in mass media; Sexual minorities in motion pictures; Sexual minorities on television; Mass media; Motion pictures; Television programs; SOCIAL SCIENCE / Media Studies; SOCIAL SCIENCE / Lesbian Studies; SOCIAL SCIENCE / Gay Studies; Film; Fernsehen; Rasse <Motiv>; Homosexualität <Motiv>
    Umfang: 1 Online-Ressource (xiv, 182 Seiten), Illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  2. Screening queer memory
    LGBTQ pasts in contemporary film and television
    Autor*in: Horvat, Anamarija
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350187689; 9781350187665; 9781350187672
    Weitere Identifier:
    RVK Klassifikation: AP 50300
    Schriftenreihe: Library of gender and popular culture
    Schlagworte: Homosexuality in motion pictures; Sexual minorities in motion pictures; Homosexuality on television; Sexual minorities on television; Sex role in motion pictures; Sex role on television; Queer theory; Kollektives Gedächtnis; Fernsehfilm; Film; Repräsentation <Soziologie>; LGBT <Motiv>
    Umfang: 1 Online-Ressource (xii, 188 Seiten), Illustrationen
  3. Screening queer memory
    LGBTQ pasts in contemporary film and television
    Autor*in: Horvat, Anamarija
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350187689; 9781350187665; 9781350187672
    Weitere Identifier:
    RVK Klassifikation: AP 50300
    Schriftenreihe: Library of gender and popular culture
    Schlagworte: Homosexuality in motion pictures; Sexual minorities in motion pictures; Homosexuality on television; Sexual minorities on television; Sex role in motion pictures; Sex role on television; Queer theory; Kollektives Gedächtnis; Fernsehfilm; Film; Repräsentation <Soziologie>; LGBT <Motiv>
    Umfang: 1 Online-Ressource (xii, 188 Seiten), Illustrationen