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  1. Marriage and its representations in Classical Hollywood Comedy (1934-1945)
    Stanley Cavell, the concept of skepticism and Kierkegaard's legacy
    Autor*in: El-Khoury, Toufic Ishaya
    Erschienen: [2018]

    This article explores the questions of marriage and divorce as discussed by Stanley Cavell in his study of Classical Hollywood comedies, dubbing what he considered as a popular subgenre of the American comedy of the thirties and forties: the "comedy... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
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    This article explores the questions of marriage and divorce as discussed by Stanley Cavell in his study of Classical Hollywood comedies, dubbing what he considered as a popular subgenre of the American comedy of the thirties and forties: the "comedy of remarriage". We will focus on Cavell's analysis of a series of films, and the way these comedies belong to a specific American school of thought, with a case study of The Awful Truth (Leo McCarey, US 1937). We will then try to identify, in Cavell's original approach of marriage and divorce in the light of his discussion of philosophical skepticism, traces of Kierkegaard's moral legacy, by way of Wittgenstein's influence on the American thinker.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Journal for religion, film and media; Graz : Institut f. Fundamentaltheologie, 2015; 4(2018), 2, Seite 23-38; Online-Ressource

    Schlagworte: Cinematic Representation of Marriage; Kierkegaard; Marriage in Hollywood Cinema; Scepticism; Stanley Cavell