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  1. America is the prison
    arts and politics in prison in the 1970s
    Autor*in: Bernstein, Lee
    Erschienen: ©2010
    Verlag:  University of North Carolina Press, Chapel Hill, N.C.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807898325; 1469604043; 9780807898321; 9781469604046
    Schlagworte: ART / American / General; SOCIAL SCIENCE / Criminology; Arts, American; Arts and society; Arts / Political aspects; Prisoners as artists; Geschichte; Politik; Prisoners as artists; Arts, American; Arts; Arts and society; Politische Literatur; Kunst; Justizvollzugsanstalt; Literatur
    Umfang: 1 Online-Ressource (xi, 224 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction -- We shall have order : the cultural politics of law and order -- The age of Jackson : George Jackson and the radical critique of incarceration -- What works? : reform and repression in prison programs -- We took the weight : incarcerated writers and artists in the Black Arts movement -- Cell block theater : entertainment, liberation, and the politics of prison theater -- Radical chic : Jack Henry Abbott and the decline of prison programming -- Conclusion

    Bernstein explores the forces that sparked a dramatic "prison art renaissance" in the 1970s, when incarcerated people produced powerful works of writing, performance, and visual art. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners such as George Jackson, Miguel Pinero, and Jack Henry Abbott to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade