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  1. Active romanticism
    the radical impulse in nineteenth-century and contemporary poetic practice
    Beteiligt: Robinson, Jeffrey Cane (Hrsg.); Carr, Julie (Hrsg.)
    Erschienen: [2015]
    Verlag:  University Alabama Press, Tuscaloosa

    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse... mehr

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    "Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- "Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. "--

     

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    Beteiligt: Robinson, Jeffrey Cane (Hrsg.); Carr, Julie (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817387853; 0817387854
    Auflage/Ausgabe: First edition
    Schriftenreihe: Modern & contemporary poetics
    Schlagworte: Romanticism; Poetry, Modern; Poetry, Modern; Poetics; Romanticism; Romanticism; Poetics; Poetry, Modern; LITERARY CRITICISM ; Poetry; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Poetics; Poetry, Modern; Romanticism ; Influence; Criticism, interpretation, etc
    Umfang: Online Ressource (pages cm.)
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    Includes bibliographical references and index. - Description based on print version record

  2. Romantic revisions in novels from the Americas
    Erschienen: c2013
    Verlag:  Purdue University Press, West Lafayette, Ind

    Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels?Kincaid?s Lucy, Atwood?s The Handmaid?s Tale, McCarthy?s Blood... mehr

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    Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels?Kincaid?s Lucy, Atwood?s The Handmaid?s Tale, McCarthy?s Blood Meridian, Fitzgerald?s The Great Gatsby, and Harris?s Palace of the Peacock?that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject?s relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781612492612; 1612492614; 9781612492629; 1612492622
    Schriftenreihe: Comparative cultural studies ; 30
    Schlagworte: American fiction; Romanticism; Romanticism; American fiction; American fiction; Romanticism; LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; Semiotics & Theory; American fiction; Romanticism ; Influence; Criticism, interpretation, etc; Anthologies
    Umfang: Online Ressource (ix, 177 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 158-173) and index. - Description based on print version record

    Wordsworthian intertexts in Kincaid's LucySpecters of US empire in Atwood's fiction -- McCarthy's Blood Meridian, Byron, and the US frontier -- Keatsian echoes and US materialism in The Great Gatsby -- The Coleridgean poetics of palace of the peacock -- Conclusion: British legacy in the Americas.

  3. Scottish romanticism and collective memory in the British Atlantic
    Autor*in: McNeil, Kenneth
    Erschienen: [2020]; © 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474455466; 9781474455473
    Schriftenreihe: Edinburgh critical studies in Romanticism
    Schlagworte: English literature; Romanticism; Romanticism; Collective memory and literature; Collective memory and literature; English literature ; Scottish authors; Literature; Romanticism; Romanticism ; Influence; Criticism, interpretation, etc
    Umfang: vii, 375 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 334-364

  4. Scottish romanticism and collective memory in the British Atlantic
    Autor*in: McNeil, Kenneth
    Erschienen: [2020]; © 2020
    Verlag:  Edinburgh University Press, Edinburgh

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    HL 1080 M169
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474455466; 9781474455473
    Schriftenreihe: Edinburgh critical studies in Romanticism
    Schlagworte: English literature; Romanticism; Romanticism; Collective memory and literature; Collective memory and literature; English literature ; Scottish authors; Literature; Romanticism; Romanticism ; Influence; Criticism, interpretation, etc
    Umfang: vii, 375 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 334-364

  5. The global Wordsworth
    Romanticism out of place
    Erschienen: [2019]
    Verlag:  Bucknell University Press, Lewisburg

    "The Global Wordsworth examines Anglophone writers who repurposed William Wordsworth's poetry. By reading Wordsworth in dialog with South African novelist J.M. Coetzee, American abolitionist Lydia Maria Child, and Antiguan essayist Jamaica Kincaid,... mehr

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    "The Global Wordsworth examines Anglophone writers who repurposed William Wordsworth's poetry. By reading Wordsworth in dialog with South African novelist J.M. Coetzee, American abolitionist Lydia Maria Child, and Antiguan essayist Jamaica Kincaid, the book revitalizes our understanding of Wordsworth's career and its place in the canon. Wordsworth lived at a time when it was becoming possible for an English writer to be read around the world, and more than any of his contemporaries in the Romantic era, he came to be a widely read and global figure. Yet he has always seemed the most provincial of the great Romantics, even as the period's nascent globalism has become a focus of Romantic scholarship since the 1990s. This study argues that Wordsworth's afterlives in former British colonies reveal a poet whose entire career, from youth to old age, has a legible and meaningful shape; a poet who, as he aged, came to see and represent the local, the national, and the global not as separate spheres, but as entangled by forces of British imperialism and colonial expansion"-- The global routes of daffodils -- Landscape pedagogy in J.M. Coetzee, the prelude, and the Lucy poems -- Globalizing England : Lydia Maria Child and the excursion -- Localism unrooted : Jamaica Kincaid and the guide to the lakes.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781684480166
    Schriftenreihe: Array
    Schlagworte: Romanticism; Romanticism ; Influence; Wordsworth, William; Influence (Literary, artistic, etc.)
    Weitere Schlagworte: Wordsworth, William (1770-1850)
    Umfang: 1 Online-Ressource (x, 211 pages)
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    Includes bibliographical references and index

    Revision of author's thesis (doctoral)--University of California, Los Angeles, 2013, titled After Wordsworth : global revisions of the English poet

  6. Transatlantic transcendentalism
    Coleridge, Emerson, and nature
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in... mehr

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    The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge’s centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism Transatlantic transcendentalism -- Coleridge and Boston transcendentalism -- Nature : philosophy and the "riddle of the world" -- The landing place : "distinguishing without dividing" and Coleridge's method -- Humanity : "art is the mediatree, the reconciliator of man and nature" -- Spirit : "an influx of the divine mind" -- Emerson's Nature : Coleridge's method and the romantic triad -- Coleridge and Vermont transcendentalism

     

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  7. Transatlantic transcendentalism
    Coleridge, Emerson, and nature
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in... mehr

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    The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge’s centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism Transatlantic transcendentalism -- Coleridge and Boston transcendentalism -- Nature : philosophy and the "riddle of the world" -- The landing place : "distinguishing without dividing" and Coleridge's method -- Humanity : "art is the mediatree, the reconciliator of man and nature" -- Spirit : "an influx of the divine mind" -- Emerson's Nature : Coleridge's method and the romantic triad -- Coleridge and Vermont transcendentalism

     

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