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  1. Masculinity in fiction and film
    representing men in popular genres, 1945-2000
    Autor*in: Baker, Brian
    Erschienen: 2006
    Verlag:  Continuum, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781847141491; 1847141498
    RVK Klassifikation: AP 52100 ; EC 6860 ; HN 1101 ; HU 1691
    Schriftenreihe: Continuum literary studies
    Schlagworte: American fiction; English fiction; Masculinity in popular culture; Masculinité dans la littérature; Masculinité au cinéma; Hommes dans la littérature; Hommes au cinéma; Masculinité dans la culture populaire / États-Unis; Masculinité dans la culture populaire / Grande-Bretagne; Roman anglais / 20e siècle / Histoire et critique; Roman américain / 20e siècle / Histoire et critique; PERFORMING ARTS / Film & Video / Reference; Mannelijkheid; Bellettrie; Filmkunst; American fiction; English fiction; Masculinity in literature; Masculinity in motion pictures; Masculinity in popular culture; Men in literature; Men in motion pictures; Film; Men in motion pictures; Men in literature; Masculinity in motion pictures; Masculinity in literature; Masculinity in popular culture; Masculinity in popular culture; English fiction; American fiction; Männlichkeit <Motiv>; Film; Literatur
    Umfang: 1 Online-Ressource (173 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Acknowledgements; Introduction; CHAPTER ONE: Cold Warriors; CHAPTER TWO: Soldier, Spy; CHAPTER THREE: Operatives; CHAPTER FOUR: The Psycho in the Grey Flannel Suit; CHAPTER FIVE: Rogue Cops I: San Francisco; CHAPTER SIX: Rogue Cops II: Los Angeles; CHAPTER SEVEN: Old Age Westerns; CHAPTER EIGHT: The Twilight Frontier; Bibliography; Index

    Looks at a range of fiction and film texts, since 1950s, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States. This work covers numerous genres, including spy fiction, science fiction, the Western and police thrillers
  2. A concise companion to contemporary British fiction
    Erschienen: 2006
    Verlag:  Blackwell Pub., Malden, MA

    Standort:
    Technische Hochschulbibliothek Rosenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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  3. Character and satire in post-war fiction
    Autor*in: Gregson, Ian
    Erschienen: ©2006
    Verlag:  Continuum, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781847142139; 1847142133
    RVK Klassifikation: HN 1101 ; HU 1811
    Schriftenreihe: Continuum literary studies
    Schlagworte: American fiction; English fiction; Satire, American; Satire, English; World War, 1939-1945; Roman anglais / 20e siècle / Histoire et critique; Roman américain / 20e siècle / Histoire et critique; Satire anglaise / Histoire et critique; Satire américaine / Histoire et critique; Caractère dans la littérature; Caricature dans la littérature; Guerre mondiale, 1939-1945 / Influence; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Karikaturen; Satires; Personages; Engels; Amerikaans; Bellettrie; Literatur; Charakter (Motiv); Satire; American fiction; Caricature in literature; Character in literature; English fiction; Influence (Literary, artistic, etc.); Satire, American; Satire, English; Englisch; Weltkrieg (1939-1945); English fiction; American fiction; Satire, English; Satire, American; Character in literature; Caricature in literature; World War, 1939-1945; Englisch; Satire; Charakter <Motiv>; Literatur
    Umfang: 1 Online-Ressource (181 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 175-178) and index

    Subverting racist caricature: Ralph Ellison and Toni Morrison -- Joseph Heller's allegories of money -- Philip Roth's vulgar, aggressive clowning -- Joyce Carol Oates's political anger -- Muriel Spark's puppets of thwarted authority -- Magic realism as caricature: Angela Carter and Salman Rushdie -- The caricaturist as celebrity: Martin Amis and Will Self -- Caricature versus character: the self as cartoon

    This monograph analyses the use of caricature as one of the key strategies in narrative fiction since the war. Close analysis of some of the best known postwar novelists including Toni Morrison, Philip Roth, Joyce Carol Oates, Angela Carter and Will Self, reveals how they use caricature to express postmodern conceptions of the self. In the process of moving away from the modernist focus on subjectivity, postmodern characterisation has often drawn on a much older satirical tradition which includes Hogarth and Gillray in the visual arts, and Dryden, Pope, Swift and Dickens in literature. Its key