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  1. Live poetry
    an integrated approach to poetry in performance
    Autor*in: Novak, Julia
    Erschienen: 2011
    Verlag:  Rodopi, Amsterdam

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments.Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042034051; 9781283366250
    Schriftenreihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 153
    Schlagworte: Recitations
    Umfang: Online-Ressource (271 p.), ill
    Bemerkung(en):

    Includes bibliographical references (p. [239]-262) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    BibliographyTable of Figures; Index
  2. Live poetry
    an integrated approach to poetry in performance
    Autor*in: Lajta-Novak, Julia
    Erschienen: 2011
    Verlag:  Editions Rodopi, Amsterdam

    Zugang:
    Verlag (URL des Erstveröffentlichers)

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401206921; 9401206929
    RVK Klassifikation: HN 1161 ; EC 4360
    Schriftenreihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Recitations; Recitations; Slam Poetry; Lyrik; Performance <Künste>; Englisch
    Umfang: 1 online resource (271 Seiten), Illustrationen
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl
  3. Live Poetry
    an Integrated Approach to Poetry in Performance
    Erschienen: 2011
    Verlag:  Editions Rodopi, Amsterdam

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... mehr

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401206921
    Schriftenreihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153 ; v. 153
    Schlagworte: Recitations; POETRY ; English, Irish, Scottish, Welsh; Recitations
    Umfang: Online Ressource (264 p.)
    Bemerkung(en):

    BibliographyTable of Figures; Index. - Description based on print version record
  4. Live Poetry
    An Integrated Approach to Poetry in Performance
    Autor*in: Novak, Julia
    Erschienen: 2011; ©2011
    Verlag:  Rodopi, Amsterdam

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments.Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry's evolution through its current 'spoken word' renaissance. Intro -- Live Poetry: An Integrated Approach to Poetry in Performance -- Table of Contents -- Introduction -- Part One: Theorising Live Poetry -- 1. Key Challenges for the Scholar of Live Poetry -- 1.1 Neglected History / a History of Neglect -- 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality -- 1.2.1 Orality versus Literacy: The Great Divide -- 1.2.2 From Orality to Literacy: The Evolutionist Model -- 1.2.3 Performance Poetry: A Controversial Form of Live Poetry -- 1.3 Literature Review -- 2. Towards a Definition of Live Poetry -- 2.1 Poetry as a Bi-Medial Art Form -- 2.2 Live Poetry and Theatre -- 2.3 A Definition of Live Poetry -- Part Two: Analysing Live Poetry -- 3. Comparing the Written Poem and the Performed Poem -- 4. Audiotext -- 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Prove-nance, Voice Set and Voice Action -- 4.2 Non-Verbal Sounds -- 4.3 Articulatory Parameters -- 4.3.1 Rhythm -- 4.3.2 Pitch -- 4.3.3 Volume -- 4.3.4 Articulation -- 4.3.5 Timbre -- 4.4 Notation -- 4.5 Composite Parameters: Tone of Voice, Accent -- 4.6 Paratext -- 5. Body Communication -- 5.1 Kinesics: Studying Body Communication -- 5.2 Functions of Body Communication -- 5.3 Elements of Body Communication -- 5.3.1 Gesture and Posture -- 5.3.2 Facial Communication -- 5.3.3 Artefactual Communication -- 5.4 Notating Body Communication -- 6. Contextualising the Performance -- 6.1 A Communication Model for Live Poetry -- 6.2 Participants -- 6.2.1 The Poet-Performer -- 6.2.2 The Audience -- 6.2.3 The MC -- 6.2.4 The Producer -- 6.2.5 Aims and Format -- 6.3 Spatio-Temporal Situation -- 6.3.1 Localised Audiences in 'Borrowed Spaces' -- 6.3.2 The Performance Space -- 6.3.3 Place of Performance and Fictive Space -- 6.3.4 Time of Performance and Act Sequence -- 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401206921; 9789042034051; 9781283366250
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Internationale Forschungen Zur Allgemeinen und Vergleichenden Literaturwissenschaft Ser. ; v.153
    Schlagworte: Recitations; Oral interpretation of poetry; Performance art; Performance poetry; Electronic books
    Umfang: 1 online resource (271 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    BibliographyTable of Figures; Index
  5. Live poetry
    an integrated approach to poetry in performance
    Autor*in: Lajta-Novak, Julia
    Erschienen: 2011
    Verlag:  Editions Rodopi, Amsterdam

    Zugang:
    Verlag (URL des Erstveröffentlichers)

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401206921; 9401206929
    RVK Klassifikation: HN 1161 ; EC 4360
    Schriftenreihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Recitations; Recitations; Slam Poetry; Lyrik; Performance <Künste>; Englisch
    Umfang: 1 online resource (271 Seiten), Illustrationen
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl