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  1. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; Bloomsbury Publishing, [London, England]

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
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      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589; 9781474299558; 9781474299572; 9781474299541; 1474299547; 1474299555; 9781474299565
    Weitere Identifier:
    RVK Klassifikation: HD 474
    Auflage/Ausgabe: First edition
    Schlagworte: Race awareness in art; Arts and society; Design; Communication in design; History of art / art & design styles
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.
  2. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within... mehr

    Standort:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589
    Weitere Identifier:
    RVK Klassifikation: HD 474 ; LH 61090
    Auflage/Ausgabe: First edition
    Schlagworte: History of art / art & design styles / bicssc; Race awareness in art; Arts and society; Design; Communication in design; Schwarze <Motiv>; Ethnische Identität <Motiv>; Weiße <Motiv>; Grafikdesign; Rassismus; Typografie; Person of Color <Motiv>
    Umfang: 1 Online-Ressource (xx, 174 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  3. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; Bloomsbury Publishing, [London, England]

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589; 9781474299558; 9781474299572; 9781474299541; 1474299547; 1474299555; 9781474299565
    Weitere Identifier:
    RVK Klassifikation: HD 474
    Auflage/Ausgabe: First edition
    Schlagworte: Race awareness in art; Arts and society; Design; Communication in design; History of art / art & design styles
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.
  4. Ethnic Drag
    Performing Race, Nation, Sexuality in West Germany
    Autor*in: Sieg, Katrin
    Erschienen: 2002
    Verlag:  University of Michigan Press, Ann Arbor

    "The Holocaust is considered a singularly atrocious event in human history, and many people have studied its causes. Yet few questions have been asked about the ways in which West Germans have "forgotten," unlearned, or reconstructed the racial... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    Fernleihe:
    keine Fernleihe

    Standort:
    Evangelische Hochschule Freiburg, Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    "The Holocaust is considered a singularly atrocious event in human history, and many people have studied its causes. Yet few questions have been asked about the ways in which West Germans have "forgotten," unlearned, or reconstructed the racial beliefs at the core of the Nazi state in order to build a democratic society. This study looks at ethnic drag as one particular kind of performance that reveals how postwar Germans lived, disavowed, and contested "Germanness" in its complex racial, national, and sexual dimensions. Using engaging case studies, Ethnic Drag traces the classical and travestied traditions of Jewish impersonation from the eighteenth century onward to construct a pre-history of postwar ethnic drag. It examines how shortly after World War II mass culture and popular practices facilitated the repression and refashioning of Nazi racial precepts. During a time when American occupation authorities insisted on remembrance and redress for the Holocaust, the Wild West emerged as a displaced theater of the racial imagination, where the roles of victim, avenger, and perpetrator of genocide were reassigned"--Publisher's description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format