Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (p. 251-273) and index
Part I. Totalizing identifications -- the politics of envy in Academic feminist communities and in Margaret Atwood's The Robber Bride -- I want you to be me: parent-child identification in D.H. Lawrence's The Rainbow and Carolyn Kay Steedman's Landscape for a Good Woman -- Identification with the Trauma of Others: Slavery, Collective Trauma, and the difficulties of representatoon of Toni Morrison 's Beloved. Part II Structures of identtification in the Visual Field -- Race and idealization in Toni Morrison's Tar Baby and in White Feminist Cross-Race Fantasies -- Luring the gaze: desire and interpellation in Sandra Cisneros's "Woman hollering Creek, ", Anne Tyler's Saint Maybe, Angela Carter's The magic Toyshop, and Margaret Drabble's Jerusalem the Golden -- Disidentification and border negotiations of Gender in Sandra Cisneros's Woman Hollering Creeik -- Part III Heteropathic identifications -- Toward Cross-Race Dialogue: Cherrie Moraga, Gloria An zaldua, and the psychoanalytic politics of community
