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  1. Tamizdat
    contraband Russian literature in the Cold War era
    Autor*in: Kloc, Jakov
    Erschienen: 2023
    Verlag:  Northern Illinois University Press, an imprint of Cornell University Press, Ithaca

    This volume offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never... mehr

    Standort:
    Forschungsstelle Osteuropa an der Universität Bremen - Bibliothek
    Signatur:
    08 LIT 07 070
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2024/954
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 7293
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Signatur:
    ZZF 39481
    Fernleihe:
    keine Fernleihe

     

    This volume offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. This book is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501768958
    RVK Klassifikation: KK 1800
    Schriftenreihe: NIU series in Slavic, East European, and Eurasian studies
    Schlagworte: Russian literature; Prohibited books; Underground literature; Russian literature
    Umfang: xi, 315 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 277-302

    Enthält ein Register
  2. Dirty books
    erotic fiction and the avant-garde in mid-century Paris and New York
    Autor*in: Reay, Barry; Attwood, Nina
    Erschienen: 2023
    Verlag:  Manchester University Press, Manchester

    The fascinating story of fearless and innovative publishers and authors who wrote their own sexual revolution before the sexual revolution mehr

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    333208 - A
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The fascinating story of fearless and innovative publishers and authors who wrote their own sexual revolution before the sexual revolution

     
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    Cover (lizenzpflichtig)
  3. Banned books for kids
    reading lists and activities for teaching kids to read censored literature
    Autor*in: Scales, Pat R.
    Erschienen: [2023]; © 2023
    Verlag:  Sourcebooks, Naperville, Illinois

    "In our polarized environment, the censorship and outright banning of children's books that some people deem to be controversial or objectionable remains a major concern for schools, libraries, and communities across the United States. Intellectual... mehr

     

    "In our polarized environment, the censorship and outright banning of children's books that some people deem to be controversial or objectionable remains a major concern for schools, libraries, and communities across the United States. Intellectual freedom champion, the American Library Association, created Teaching Banned Books to Kids, a guide that includes both contemporary books that have been banned and classic literature that continues to be under attack for political and/or religious reasons. Parents, school and public librarians, library and information sciences students, and classroom educators will find the assistance and support they need to defend these challenged books with an informed response while ensuring access to young book lovers"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Blume, Judy (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781728266008; 1728266009
    RVK Klassifikation: HU 1119 ; HU 1821
    Schlagworte: Challenged books; Prohibited books; Children's literature; Young adult literature; Children's stories, American; Young adult fiction, American; Freedom of speech; Children's libraries; Young adults' libraries; Children; Teenagers
    Umfang: xxii,195 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references

    Part I. The bully and the outcast -- Belle Prater's boy by Ruth White -- Blubber by Judy Blume -- The goats by Brock Cole -- Holes by Louis Sachar -- Hoot by Carl Hiaasen -- When Zachary Beaver came to town by Kimberly Willis Holt -- Wringer by Jerry Spinelli -- One fat summer by Robert Lipsyte -- Part II. Racism and bigotry -- Roll of thunder, hear my cry by Mildred D. Taylor -- The Watsons go to Birmingham, 1963 by Christopher Paul Curtis -- Monster by Walter Dean Myers, illustrated by Christopher Myers -- The hate U give by Angie Thomas -- Part III. Reality and tough choices -- Because of Winn-Dixie by Kate DiCamillo -- Bridge to Terabithia by Katherine Paterson -- Melissa by Alex Gino -- The higher power of Lucky by Susan Patron -- Shiloh by Phyllis Reynolds Naylor -- Walk two moons by Sharon Creech -- Speak by Laurie Halse Anderson -- The contender by Robert Lipsyte -- Part IV. Other cultures and other lands -- Julie of the wolves by Jean Craighead George -- Kira-Kira by Cynthia Kadohata -- American born Chinese by Gene Luen Yang, illustrated by Gene Luen Yang and Lark Pien -- Part V. The past and the future -- Bud, not Buddy by Christopher Paul Curtis -- My brother Sam is dead by James Lincoln Collier and Christopher Collier -- The midwife's apprentice by Karen Cushman -- Chains by Laurie Halse Anderson -- The book thief by Markus Zusak -- The giver by Lois Lowry -- The house of the scorpion by Nancy Farmer -- Part VI. This was my life -- Bad Boy: a memoir by Walter Dean Myers -- Hole in my life by Jack Gantos.
  4. Tamizdat
    contraband Russian literature in the Cold War era
    Autor*in: Kloc, Jakov
    Erschienen: 2023
    Verlag:  Northern Illinois University Press, an imprint of Cornell University Press, Ithaca

    This volume offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never... mehr

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    This volume offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. This book is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501768958
    RVK Klassifikation: KK 1800
    Schriftenreihe: NIU series in Slavic, East European, and Eurasian studies
    Schlagworte: Russian literature; Prohibited books; Underground literature; Russian literature
    Umfang: xi, 315 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 277-302

    Enthält ein Register
  5. Tamizdat
    contraband Russian literature in the Cold War era
    Autor*in: Kloc, Jakov
    Erschienen: 2023; © 2023
    Verlag:  Northern Illinois University Press, an imprint of Cornell University Press, Ithaca ; London

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or... mehr

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts from the 1960-70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and the official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rift between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501768989
    Weitere Identifier:
    RVK Klassifikation: KK 1800 ; KK 1600
    Schriftenreihe: NIU Series in Slavic, East European, and Eurasian studies
    Schlagworte: HISTORY.; LITERARY STUDIES.; LITERARY CRITICISM / Russian & Former Soviet Union; Prohibited books; Russian literature; Russian literature; Underground literature; Tamisdat; Verbotenes Buch; Verbotenes Druckwerk
    Umfang: 1 Online-Ressource (xi, 315 Seiten), Illustrationen
  6. Dirty books
    erotic fiction and the avant-garde in mid-century Paris and New York
    Autor*in: Reay, Barry; Attwood, Nina
    Erschienen: 2023
    Verlag:  Manchester University Press, Manchester

    The fascinating story of fearless and innovative publishers and authors who wrote their own sexual revolution before the sexual revolution mehr

     

    The fascinating story of fearless and innovative publishers and authors who wrote their own sexual revolution before the sexual revolution

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
  7. Tamizdat
    contraband Russian literature in the Cold War era
    Autor*in: Kloc, Jakov
    Erschienen: 2023; © 2023
    Verlag:  Northern Illinois University Press, an imprint of Cornell University Press, Ithaca ; London

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts from the 1960-70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and the official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rift between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501768989
    Weitere Identifier:
    RVK Klassifikation: KK 1800 ; KK 1600
    Schriftenreihe: NIU Series in Slavic, East European, and Eurasian studies
    Schlagworte: HISTORY.; LITERARY STUDIES.; LITERARY CRITICISM / Russian & Former Soviet Union; Prohibited books; Russian literature; Russian literature; Underground literature; Tamisdat; Verbotenes Buch; Verbotenes Druckwerk
    Umfang: 1 Online-Ressource (xi, 315 Seiten), Illustrationen
  8. Tamizdat
    Contraband Russian Literature in the Cold War Era
    Autor*in: Kloc, Jakov
    Erschienen: 2023; ©2023
    Verlag:  Cornell University Press, Ithaca, NY

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe

     

    Tamizdat tells the old story of the Cold War from a new perspective: through the history of the contraband manuscripts sent from the former USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts from the 1960-70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and the official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rift between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501768989
    Weitere Identifier:
    RVK Klassifikation: KK 1800
    Schriftenreihe: NIU Series in Slavic, East European, and Eurasian Studies
    Schlagworte: Prohibited books; Russian literature; Russian literature; Underground literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Weitere Schlagworte: literary contraband, banned Russian books, books of the Russian emigration, Soviet censorship, Soviet publishing, Cold War books, underground publishing, Russian literature after Stalin
    Umfang: 1 Online-Ressource (330 p.), Illustrationen
  9. Tamizdat
    contraband Russian literature in the Cold War era
    Autor*in: Klots, Yasha
    Erschienen: 2023
    Verlag:  Northern Illinois University Press, Ithaca ; Oxford University Press, Oxford

    This text offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing 'over there,' tamizdat manuscripts were rejected, censored, or never... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This text offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing 'over there,' tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501768989
    Weitere Identifier:
    Schriftenreihe: NIU series in Slavic, East European, and Eurasian studies
    Cornell scholarship online
    Schlagworte: Russian literature; Prohibited books; Underground literature; Russian literature; Literature; Literature: history & criticism
    Umfang: 1 Online-Ressource (xi, 315 pages), Illustrations (black and white).
    Bemerkung(en):

    Includes bibliographical references and index