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  1. Political Allegory in Late Medieval England
    Autor*in: Astell, Ann W.
    Erschienen: [2002]; © 2002
    Verlag:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory

     

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    ISBN: 9780801474651
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    Schlagworte: LITERARY CRITICISM / Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; Rhetoric, Medieval; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  2. Political Allegory in Late Medieval England
    Autor*in: Astell, Ann W
    Erschienen: [2002]
    Verlag:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory Frontmatter -- Contents -- Preface -- Abbreviations -- Introduction -- 1. The Materia of Allegorical Invention -- 2. "Full of Enigmas":John Ball's Letters and Piers Plowman -- 3· Gower's Arian and "Cithero" -- 4. Chaucer's Ricardian Allegories -- 5· Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere -- 6. Joan of Are, Margaret of Anjou, and Malory's Guenevere at the Stake -- Conclusion -- Notes -- Bibliography -- Index

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780801474651
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    Schlagworte: Rhetoric, Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; LITERARY CRITICISM / Medieval
    Umfang: 1 Online-Ressource (1 online resource)
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    restricted access online access with authorization star

  3. Writing to the king
    nation, kingship, and literature in England, 1250-1350
    Autor*in: Matthews, David
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge, UK

    Introduction -- Defending Anglia -- Attacking Scotland : Edward I and the 1290s -- Regime change -- The destruction of England : crisis and complaint c.1300-41 -- Love letters to Edward III -- Envoy -- Appendix. The tail-rhyme poems of Langtoft's... mehr

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    Introduction -- Defending Anglia -- Attacking Scotland : Edward I and the 1290s -- Regime change -- The destruction of England : crisis and complaint c.1300-41 -- Love letters to Edward III -- Envoy -- Appendix. The tail-rhyme poems of Langtoft's chronicle. In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the rights granted by Magna Carta. These apparent appeals to the sovereign increase with the development of parliament in the late thirteenth century and the emergence of the common petition, and become prominent, in an increasingly sophisticated literature, during the political crises of the early fourteenth century. However, very little of this writing was truly directed to the king. As David Matthews shows in this book, the form of address was a rhetorical stance revealing much about the position from which writers were composing, the audiences they wished to reach, and their construction of political and national subjects

     

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  4. Political Allegory in Late Medieval England
    Autor*in: Astell, Ann W
    Erschienen: [2002]
    Verlag:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... mehr

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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory Frontmatter -- Contents -- Preface -- Abbreviations -- Introduction -- 1. The Materia of Allegorical Invention -- 2. "Full of Enigmas":John Ball's Letters and Piers Plowman -- 3· Gower's Arian and "Cithero" -- 4. Chaucer's Ricardian Allegories -- 5· Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere -- 6. Joan of Are, Margaret of Anjou, and Malory's Guenevere at the Stake -- Conclusion -- Notes -- Bibliography -- Index

     

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    ISBN: 9780801474651
    Weitere Identifier:
    Schlagworte: Rhetoric, Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; LITERARY CRITICISM / Medieval
    Umfang: 1 Online-Ressource (1 online resource)
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    restricted access online access with authorization star

  5. Political Allegory in Late Medieval England
    Autor*in: Astell, Ann W.
    Erschienen: [2002]; © 2002
    Verlag:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory

     

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    Format: Online
    ISBN: 9780801474651
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; Rhetoric, Medieval; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  6. Political allegory in late medieval England
    Autor*in: Astell, Ann W.
    Erschienen: 1999
    Verlag:  Cornell University Press, Ithaca

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Sprache: Englisch
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    ISBN: 0801435609
    Schlagworte: Geschichte; English literature; Political poetry, English (Middle); Politics and literature; Invention (Rhetoric); Rhetoric, Medieval; Allegory; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Umfang: xii, 218 p
    Bemerkung(en):

    Includes bibliographical references (p. 167-212) and index

  7. PERFORMING MANUSCRIPT CULTURE
    poetry, materiality, and authorship in thomas hoccleves regement ... of princes
    Erschienen: 2017
    Verlag:  DE GRUYTER, Place of publication not identified

    The series in German medieval studies includes central topics of current research debates in medieval studies and provides a place for groundbreaking research in the subject literature. The series is intended to give international and young... mehr

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    The series in German medieval studies includes central topics of current research debates in medieval studies and provides a place for groundbreaking research in the subject literature. The series is intended to give international and young researchers/research teams the possibility to effectively present innovative surveys and discussions to the scientific community. The series sees itself as a 'young' research forum with a high standard of quality and is therefore also open to excellent degree theses, should they enhance the series

     

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  8. Literature and law in the era of Magna Carta
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    This study of poetry and political thought in late twelfth- and thirteenth-century England explores how Latin, French, and Middle English political poetry and Latin grammar and rhetoric shaped ideas about constitutional governance, the common good,... mehr

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    This study of poetry and political thought in late twelfth- and thirteenth-century England explores how Latin, French, and Middle English political poetry and Latin grammar and rhetoric shaped ideas about constitutional governance, the common good, and just rule

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780191882401
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    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford studies in medieval literature and culture
    Oxford scholarship online
    Schlagworte: Law and literature; Political poetry, English (Middle); Political poetry, French; Political poetry, Latin (Medieval and modern); Law and literature ; History ; To 1500; Political poetry, English (Middle) ; History and criticism; Political poetry, French ; History and criticism; Political poetry, Latin (Medieval and modern) ; History and criticism
    Umfang: 1 Online-Ressource (xii, 277 Seiten)
    Bemerkung(en):

    This edition also issued in print: 2019

    Includes bibliographical references and index

  9. Literature and law in the era of Magna Carta
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    This study of poetry and political thought in late twelfth- and thirteenth-century England explores how Latin, French, and Middle English political poetry and Latin grammar and rhetoric shaped ideas about constitutional governance, the common good,... mehr

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    This study of poetry and political thought in late twelfth- and thirteenth-century England explores how Latin, French, and Middle English political poetry and Latin grammar and rhetoric shaped ideas about constitutional governance, the common good, and just rule

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191882401
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford studies in medieval literature and culture
    Oxford scholarship online
    Schlagworte: Law and literature; Political poetry, English (Middle); Political poetry, French; Political poetry, Latin (Medieval and modern); Law and literature ; History ; To 1500; Political poetry, English (Middle) ; History and criticism; Political poetry, French ; History and criticism; Political poetry, Latin (Medieval and modern) ; History and criticism
    Umfang: 1 Online-Ressource (xii, 277 Seiten)
    Bemerkung(en):

    This edition also issued in print: 2019

    Includes bibliographical references and index

  10. Political allegory in late medieval England
    Autor*in: Astell, Ann W.
    Erschienen: 1999
    Verlag:  Cornell University Press, Ithaca

    Intro -- Contents -- Preface -- Abbreviations -- Introduction -- 1 The Materia of Allegorical Invention -- 2 "Full of Enigmas": John Ball's Letters and Piers Plowman -- 3 Gower's Arion and "Cithero" -- 4 Chaucer's Ricardian Allegories -- 5... mehr

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    Intro -- Contents -- Preface -- Abbreviations -- Introduction -- 1 The Materia of Allegorical Invention -- 2 "Full of Enigmas": John Ball's Letters and Piers Plowman -- 3 Gower's Arion and "Cithero" -- 4 Chaucer's Ricardian Allegories -- 5 Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere -- 6 Joan of Arc, Margaret of Anjou, and Malory's Guenevere at the Stake -- Conclusion -- Notes -- Bibliography -- Index.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0801435609
    Schlagworte: English literature; Invention (Rhetoric); Rhetoric, Medieval; Political poetry, English (Middle); Politics and literature; Allegory; Allegory; English literature ; Middle English, 1100-1500 ; History and criticism; Great Britain ; Politics and government ; 1154-1399; Invention (Rhetoric); Political poetry, English (Middle) ; History and criticism; Politics and literature ; Great Britain ; History ; To 1500; Rhetoric, Medieval; Electronic books
    Umfang: Online-Ressource (xii, 218 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 167-212) and index

    Electronic reproduction; Available via World Wide Web

    ""Contents""; ""Preface""; ""Abbreviations""; ""Introduction""; ""1 The Materia of Allegorical Invention""; ""2 “Full of Enigmas�: John Ball�s Letters and Piers Plowman""; ""3 Gower�s Arion and “Cithero�""; ""4 Chaucer�s Ricardian Allegories""; ""5 Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere""; ""6 Joan of Arc, Margaret of Anjou, and Malory�s Guenevere at the Stake""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""

  11. Writing to the king
    nation, kingship, and literature in England, 1250-1350
    Autor*in: Matthews, David
    Erschienen: 2010
    Verlag:  Cambridge University Press, New York

    A study of the literature apparently addressed to the monarch in medieval England mehr

    Hochschulbibliothek Friedensau
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    A study of the literature apparently addressed to the monarch in medieval England

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 1282535935; 9780521111379; 9780511678103; 9781282535930
    Schriftenreihe: Cambridge studies in medieval literature ; 77
    Schlagworte: Kings and rulers in literature; Literature and history; Politics and literature; Political poetry, English (Middle); Letter writing in literature
    Umfang: Online-Ressource (xv, 221 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; Abbreviations; Introduction; Chapter 1 Defending Anglia; Chapter 2 Attacking Scotland: Edward I and the 1290s; CHAPTER 3 Regime Change; CHAPTER 4 The Destruction of England: Crisis and Complaint, c.1300-41; CHAPTER 5 Love Letters to Edward III; Envoy; Appendix The tail-rhyme poems of Langtoft's chronicle; Notes; Bibliography; Index

  12. Writing to the king
    nation, kingship, and literature in England, 1250-1350
    Autor*in: Matthews, David
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge

    In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the... mehr

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    In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the rights granted by Magna Carta. These apparent appeals to the sovereign increase with the development of parliament in the late thirteenth century and the emergence of the common petition, and become prominent, in an increasingly sophisticated literature, during the political crises of the early fourteenth century. However, very little of this writing was truly directed to the king. As David Matthews shows in this book, the form of address was a rhetorical stance revealing much about the position from which writers were composing, the audiences they wished to reach, and their construction of political and national subjects Introduction -- Defending Anglia -- Attacking Scotland : Edward I and the 1290s -- Regime change -- The destruction of England : crisis and complaint c.1300-41 -- Love letters to Edward III -- Envoy -- Appendix. The tail-rhyme poems of Langtoft's chronicle

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511676079
    Weitere Identifier:
    RVK Klassifikation: HH 4120
    Schriftenreihe: Cambridge studies in medieval literature ; 77
    Schlagworte: Literature and history; Letter writing in literature; Kings and rulers in literature; Politics and literature; Political poetry, English (Middle); Political poetry, English (Middle) ; History and criticism; Politics and literature ; England ; History ; To 1500; Literature and history ; England; Letter writing in literature; Kings and rulers in literature; Great Britain ; Politics and government ; 1066-1485 ; Historiography
    Umfang: 1 Online-Ressource (xv, 221 pages), digital, PDF file(s)
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