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Aktive Passivität? : Spinoza in Pasolinis "Schweinestall"
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Pasolini and India : de- and re-construction of a myth
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The guest : transfiguring indifference in "Teorema"
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Pier Paolo Pasolini and pan-meridional Italianness
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Bandung man / l'uomo di Bandung
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Destruction, negation, subtraction
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mythisnow - pasoliniandeuropetoday
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Differently queer : temporality, aesthetics, and sexuality in Pier Paolo Pasolini's "Petrolio" and Elsa Morante's "Aracoeli"
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'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
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Alain Badiou's Pasolini : the problem of subtractive universalism
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One divided by another : split and conversion in Pasolini's "San Paolo"
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Outside Italy : Pasolini's transnational visions of the sacred and tradition
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Cinematographic aesthetics as subversion of moral reason in Pasolini's "Medea"
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Pasolini as Jew : between Israel and Europe
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Analogy and difference : multistable figures in Pier Paolo Pasolini's "Appunti per un'Orestiade Africana"
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The body of the actor : notes on the relationship between the body and acting in Pasolini's cinema
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Reconciliation and stark incompatibility : Pasolini's 'Africa' and Greek tragedy
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'La vera diversità' : multistability, circularity, and abjection in Pasolini's "Pilade"
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Figura lacrima
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"Ein toter Körper mit mechanischen Reflexen" : gewalttätige Sexualität und semiotischer Exzess in Pier Paolo Pasolinis 'Salò o le 120 giornate di Sodoma'