Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Iconología y sociedad, arte colonial hispanoamericano
    XLIV Congreso Internacional de Americanistas
    Erschienen: 1987
    Verlag:  Universidad Nacional Autónoma de México, México, D.F.

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Konferenzschrift
    ISBN: 9683601030; 9789683601032
    Auflage/Ausgabe: Primera edición
    Körperschaften/Kongresse: International Congress of Americanists, 44 (1982, Manchester)
    Schriftenreihe: Estudios de arte y estética ; 26
    Schlagworte: Ornament <Motiv>; Buchmalerei; Kunst; Wandmalerei; Kapelle; Tiere <Motiv>; Dämon <Motiv>; Grafik; Franziskanerkloster; Rezeption; Azteken; Dämonologie; Pflanzen <Motiv>; Kolonialismus
    Weitere Schlagworte: Valadés, Diego (1533-1588); Prudentius Clemens, Aurelius (348-405): Psychomachia; Art, Spanish colonial / Congresses; Art colonial espagnol / Congrès; Art, Spanish colonial; ARTE COLONIAL ESPAÑOL / CONGRESOS.; ARTE HISPANOAMERICANO / CONGRESOS.; Art colonial / Amérique latine / Congrès; Conference papers and proceedings
    Umfang: 264 pages, 180 unnumbered pages of plates, illustrations, 24 cm
    Bemerkung(en):

    La flora y la fauna en los frescos de Malinalco / Jeanette Peterson -- La psicomaquia de Prudencio y la capilla abierta de Tlalmanalco / Gustavo Curiel -- El culto a la Santa Cruz en el Perú: criollos, indios y negros / Jorge Bernales -- Iconología humanista de um biombo del siglo XVII / Marita Martínez del Río de Redo -- Temas iconográficos americanos en la cultura véneta del siglo XVI / Mario Sartor -- El jardín universitario y el jardín de las virtudes / Francisco Stastny -- La portada de François Gérard para la obra de viaje de Humboldt y Bompland / Helga von Küegelgen Kropfinger -- Sol de justicia, mensaje y arte de un teólogo pintor / Manuel González Galván -- Erudición escritural y expresión pictórica franciscana / Elisa Vargas Lugo -- Fray Diego de Valadés y el arte de la memoria / René Taylor

  2. Nature: collaborations in design
    Erschienen: [2019]; © 2019
    Verlag:  Cooper Hewitt, Smithsonian Design Museum, New York, NY ; Thames & Hudson, London

    Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for... mehr

    Die Neue Sammlung, Staatliches Museum für angewandte Kunst, Design in der Pinakothek der Moderne, Bibliothek
    keine Fernleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for the environment. Humans are intrinsically linked to nature yet our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. Designers are aligning with biologists, engineers, agriculturists, environmentalists and many other disciplines to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means. 0'Nature: Collaborations in Design' includes over sixty-five international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon, and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers.00Exhibition: Cooper-Hewitt Museum, New York, USA & CUBE Design Museum, Kerkrade, The Netherlands (10.05.2019-20.01.2020)

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Konferenzschrift
    ISBN: 9781942303237; 1942303238
    Körperschaften/Kongresse: Cooper Hewitt Design Triennial, 6. (2019-2020, New York, NY; Kerkrade)
    Schlagworte: Nachhaltigkeit; Pflanzen <Motiv>; Humanökologie; Design; Klimaänderung; Natur <Motiv>; Tiere <Motiv>; Umweltbewusstsein
    Weitere Schlagworte: Design / Environmental aspects / Exhibitions; Sustainable design / Exhibitions; Human ecology / Exhibitions; Climatic changes / Exhibitions; Climatic changes; Design / Environmental aspects; Human ecology; Sustainable design; Exhibition catalogs
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Impressum: "This book is published in conjunction with the exhibition 'Nature - Cooper Hewitt Design Triennial'. Simultaneously presented at Cooper Hewitt, Smithsonian Design Museum, New York City, and Cube design museum, Kerkrade, Netherlands, 10.05.2019-20.01.2020"

    "Designers today are striving to transform our relationship with the natural world. Although humans are intrinsically linked to nature, our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. As a result, designers are aligning with biologists, engineers, agriculturists, environmentalists and many other specialists to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means. Nature: Collaborations in Design--companion to an exhibition titled Nature--Cooper Hewitt Design Triennial, co-organized with Cube design museum--includes over 65 international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers."--ECIP galley

    Introduction / Matilda McQuaid -- Understanding Nature / Caitlin Condell -- Next Nature / Michael John Gorman and Koert van Mensvoort conversation -- Simulating Nature / Andrea Lipps -- Paracrafting Landscape / GT2P and Volcanologist conversation -- Salvaging Nature / Gene Bertrand -- Facilitating Nature / Andrea Lipps -- Synthetic Biology / George Church and Daisy Ginsberg conversation -- Augmenting Nature / Andrea Lipps -- Remediating Nature / Matilda McQuaid -- Design and Science Linguistics / Suzanne Lee and Nadine Bongaerts conversation -- Nurturing Nature / Caitlin Condell -- Glossary / Margaret Simons -- Index

  3. Nature: collaborations in design
    Erschienen: [2019]; © 2019
    Verlag:  Cooper Hewitt, Smithsonian Design Museum, New York, NY ; Thames & Hudson, London

    Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for... mehr

    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for the environment. Humans are intrinsically linked to nature yet our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. Designers are aligning with biologists, engineers, agriculturists, environmentalists and many other disciplines to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means. 0'Nature: Collaborations in Design' includes over sixty-five international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon, and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers.00Exhibition: Cooper-Hewitt Museum, New York, USA & CUBE Design Museum, Kerkrade, The Netherlands (10.05.2019-20.01.2020)

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Konferenzschrift
    ISBN: 9781942303237; 1942303238
    Körperschaften/Kongresse: Cooper Hewitt Design Triennial, 6. (2019-2020, New York, NY; Kerkrade)
    Schlagworte: Nachhaltigkeit; Pflanzen <Motiv>; Humanökologie; Design; Klimaänderung; Natur <Motiv>; Tiere <Motiv>; Umweltbewusstsein
    Weitere Schlagworte: Design / Environmental aspects / Exhibitions; Sustainable design / Exhibitions; Human ecology / Exhibitions; Climatic changes / Exhibitions; Climatic changes; Design / Environmental aspects; Human ecology; Sustainable design; Exhibition catalogs
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Impressum: "This book is published in conjunction with the exhibition 'Nature - Cooper Hewitt Design Triennial'. Simultaneously presented at Cooper Hewitt, Smithsonian Design Museum, New York City, and Cube design museum, Kerkrade, Netherlands, 10.05.2019-20.01.2020"

    "Designers today are striving to transform our relationship with the natural world. Although humans are intrinsically linked to nature, our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. As a result, designers are aligning with biologists, engineers, agriculturists, environmentalists and many other specialists to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means. Nature: Collaborations in Design--companion to an exhibition titled Nature--Cooper Hewitt Design Triennial, co-organized with Cube design museum--includes over 65 international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers."--ECIP galley

    Introduction / Matilda McQuaid -- Understanding Nature / Caitlin Condell -- Next Nature / Michael John Gorman and Koert van Mensvoort conversation -- Simulating Nature / Andrea Lipps -- Paracrafting Landscape / GT2P and Volcanologist conversation -- Salvaging Nature / Gene Bertrand -- Facilitating Nature / Andrea Lipps -- Synthetic Biology / George Church and Daisy Ginsberg conversation -- Augmenting Nature / Andrea Lipps -- Remediating Nature / Matilda McQuaid -- Design and Science Linguistics / Suzanne Lee and Nadine Bongaerts conversation -- Nurturing Nature / Caitlin Condell -- Glossary / Margaret Simons -- Index

  4. Der versteinerte Bibelgarten
    Lutherkirche Krefeld ; [Dokumentation zum Tag des offenen Denkmals]
    Erschienen: 2006
    Verlag:  Förderverein, Krefeld

    LVR-Amt für Denkmalpflege im Rheinland, Bibliothek
    RAD-75 / 33-2. 01
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Konferenzschrift
    Format: Druck
    Körperschaften/Kongresse: Förderverein Walcker-Orgel Lutherkirche (Krefeld)
    Schlagworte: Lutherkirche Krefeld <Krefeld>; Ausstattung; Bildprogramm; Ornament; Pflanzen <Motiv>; Jugendstil; ; Arnold, Eduard Philipp;
    Umfang: 34 S., überw. Ill.