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  1. Elizabethan erotic narratives
    Irony and pathos in the ovidian poetry of Shakespeare, Marlowe, and their contemporaries
    Autor*in: Keach, William
    Erschienen: 1977
    Verlag:  Harvester Pr., Hassocks

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0855273690
    RVK Klassifikation: HI 1161 ; HI 1274
    Schlagworte: Array; Array; Array; Array; Array; Pathos in literature; Irony in literature
    Umfang: XVIII, 277 S.
  2. Shakespeare's sublime pathos
    person, audience, language : the second part of an essay on the Shakespearean sublime
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York, NY

    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    ebooks\ed001353
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    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. This volume explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in Shakespeare's Sublime Ethos. It examines Shakespeare's model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, "sublime critical" platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare's Sublime Ethos and Shakespeare's Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003180081; 9781000407822; 9781000407877
    Weitere Identifier:
    RVK Klassifikation: HI 3390
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Sublime, The, in literature; Pathos in literature; Ethos; Das Erhabene; Characters and characteristics; Pathos in literature; Sublime, The, in literature; Criticism, interpretation, etc; DRAMA / Shakespeare; LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: 1 Online-Ressource (xv, 238 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  3. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all... mehr

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    Hochschule Aalen, Bibliothek
    Signatur:
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    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14).

     
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  4. Shakespeare's Sublime Pathos
    Person, Audience, Language
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2021; ©2021
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Endorsement Page -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- A Note on Conventions -- Abbreviated Titles of Shakespeare's Works -- Introduction -- Aims and "Ethos" --... mehr

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    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Cover -- Endorsement Page -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- A Note on Conventions -- Abbreviated Titles of Shakespeare's Works -- Introduction -- Aims and "Ethos" -- Plan of the Work -- References -- Chapter 1 The Conundrum of Character -- Judith's Face -- Realism, Ambiguity, Sublimity -- Ambiguity, Sublimity, Freedom -- Contemptus Mundi -- Note -- References -- Chapter 2 Hollow Men -- Liberal Humanist Character -- Protean Persons -- The Moral Core -- Freedom of Choice? -- Mutualistic Character -- Myriad Minds -- Notes -- References -- Chapter 3 Sympathetic Imagination -- Sympathy and Imagination -- Psychology and Phantasia -- "Passionate Playgoing" -- Notes -- References -- Chapter 4 Language of Passion -- Cause and Effect -- "Conceit Deceitful" -- Thought in Progress -- Botching Words -- Entangled, Obscure, Baroque -- Notes -- References -- Chapter 5 The Mutualist's Dividend -- Going Mad with Shakespeare -- Transcendence? -- "The Sticking Place" -- Notes -- References -- General Conclusions -- The Shakespearean Sublime -- Shakespeare's Originality -- Enter Perfection? -- Letting in the Daylight -- References -- Epilogue -- Mechanical Dreamers -- Orsino's luck -- References -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000407877
    Schriftenreihe: Routledge Studies in Shakespeare Ser.
    Schlagworte: Shakespeare, William,-1564-1616-Criticism and interpretation; Sublime, The, in literature; Pathos in literature; Electronic books
    Umfang: 1 online resource (255 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  5. Shakespeare's sublime pathos
    person, audience, language : (the second part of an essay on the Shakespearean sublime)
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York

    The conundrum of character, the sublime mistook -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained,... mehr

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 9813
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 HI 3390 S467 S941
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    The conundrum of character, the sublime mistook -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. This volume explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in Shakespeare's Sublime Ethos. It examines Shakespeare's model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, "sublime critical" platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare's Sublime Ethos and Shakespeare's Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032017945; 9781032017952
    RVK Klassifikation: HI 3390
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Sublime, The, in literature; Pathos in literature; Ethos; Das Erhabene
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xv, 238 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. Shakespeare's sublime pathos
    person, audience, language
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2021
    Verlag:  Routledge, New York, NY ; Taylor & Francis Group, London

    "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of... mehr

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    Standort:
    Hessisches BibliotheksInformationsSystem hebis
    Fernleihe:
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    "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. This volume explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in Shakespeare's Sublime Ethos. It examines Shakespeare's model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, "sublime critical" platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare's Sublime Ethos and Shakespeare's Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved"--...

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003180081; 1003180086; 9781000407822; 1000407829; 9781000407877; 100040787X
    Weitere Identifier:
    Schriftenreihe: Routledge Studies in Shakespeare
    Schlagworte: Sublime, The, in literature; Pathos in literature; DRAMA / Shakespeare; LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource
  7. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions

     
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    Volltext (URL des Erstveröffentlichers)
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139028257
    Weitere Identifier:
    RVK Klassifikation: CD 1610 ; FE 4451
    Schlagworte: Geschichte; Greek drama (Tragedy) / History and criticism; Pathos in literature; Sympathy in literature; Fear in literature; Emotions (Philosophy) / History; Aesthetics, Ancient; Griechisch; Tragödie; Philosophie; Mitleid <Motiv>; Furcht <Motiv>
    Weitere Schlagworte: Aeschylus / Persae; Aeschylus / Prometheus bound; Sophocles / Ajax; Euripides / Orestes
    Umfang: 1 Online-Ressource (xiii, 278 Seiten)
    Bemerkung(en):

    Theoretical views about pity and fear as aesthetic emotions: Drama and the emotions : an Indo-European connection? ; Gorgias : a strange trio, the poetic emotions ; Plato : from reality to tragedy and back ; Aristotle : the first 'theorist' of the aesthetic emotions -- Pity and fear within tragedies: An introduction ; Aeschylus : Persians ; Prometheus bound ; Sophocles : Ajax ; Euripides : Orestes -- Appendix: Catharsis and the emotions in the definition of tragedy in the Poetics
  8. Pathos in Late-Medieval religious drama and art
    a communicative strategy
    Autor*in: Mazzon, Gabriella
    Erschienen: [2018]
    Verlag:  Brill Rodopi, Leiden

    "Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    "Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu"-- Words and images in the late Middle Ages : the social functions of drama and art -- The codification of the public display of emotions -- Verbal and visual rhetoric : lexicon and grammar -- The outward gaze : effective audience engagement

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004355583
    Weitere Identifier:
    Schriftenreihe: Ludus ; 15
    Schlagworte: Drama, Medieval; Liturgical drama; Theater; Pathos in literature; Christian art and symbolism; Drama; Drama, Medieval; Liturgical drama; Theater; Pathos in literature; Christian art and symbolism; Drama
    Umfang: 1 Online-Ressource (326 Seiten)
  9. Shakespeare's sublime pathos
    person, audience, language : the second part of an essay on the Shakespearean sublime
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York, NY

    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of... mehr

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    Resolving-System (lizenzpflichtig)
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. This volume explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in Shakespeare's Sublime Ethos. It examines Shakespeare's model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, "sublime critical" platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare's Sublime Ethos and Shakespeare's Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003180081; 9781000407822; 9781000407877
    Weitere Identifier:
    RVK Klassifikation: HI 3390
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Sublime, The, in literature; Pathos in literature; Ethos; Das Erhabene; Characters and characteristics; Pathos in literature; Sublime, The, in literature; Criticism, interpretation, etc; DRAMA / Shakespeare; LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: 1 Online-Ressource (xv, 238 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  10. Ethos und Pathos
    mediale Wirkungsästhetik im 20. Jahrhundert in Ost und West
    Beteiligt: Nicolosi, Riccardo (HerausgeberIn); Zimmermann, Tanja (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Böhlau Verlag, Köln

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Nicolosi, Riccardo (HerausgeberIn); Zimmermann, Tanja (HerausgeberIn)
    Sprache: Deutsch; Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9783412224318; 3412224316
    Weitere Identifier:
    9783412224318
    RVK Klassifikation: AP 44950 ; AP 94250 ; AP 33250 ; KD 5035 ; EC 5410
    Körperschaften/Kongresse: Konferenz Ethos und Pathos der Medien. Wirkungsästhetische Strategien Zwischen Rhetorik und Politik im 20. Jahrhundert (2012, Konstanz)
    Schriftenreihe: Osteuropa medial ; Band 7
    Schlagworte: Literature, Modern; Literature, Modern; Pathos in literature; Ethics in literature; East and West in literature; Pathos in motion pictures; Modernism (Aesthetics)
    Umfang: 441 Seiten, Illustrationen, 23 cm x 16 cm
    Bemerkung(en):

    "Die Beiträge dieses Bandes gehen mehrheitlich auf eine Konferenz zurück, die unter dem Titel 'Ethos und Pathos der Medien. Wirkungsästhetische Strategien zwischen Rhetorik und Politik im 20. Jahrhundert' im Oktober 2012 an der Universität Konstanz stattfand." (Vorwort zum Dank)
  11. The Ancient Quarrel Between Poetry and Philosophy
    Autor*in: Gould, Thomas
    Erschienen: [1990]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400861866
    Weitere Identifier:
    Schlagworte: Griechische Literatur; Greek drama (Tragedy) / History and criticism / Theory, etc; Poetics / History / To 1500; Suffering in literature; Sympathy in literature; Literature / Philosophy; Pathos in literature; Philosophy, Ancient; DRAMA / Ancient & Classical; Geschichte; Literatur; Philosophie; Griechisch; Pathos; Poetik; Literatur; Mitleid <Motiv>; Philosophie; Tragödie
    Weitere Schlagworte: Plato (v427-v347); Aristoteles (v384-v322)
    Umfang: 1 Online-Ressource (352p.)
    Bemerkung(en):

    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between "poetry"--the exploitation of our yearning to see ourselves as victims--and "philosophy"--the insistence that all good people are happy. Plato's objections to tragedy are shown to be an essential feature of Socratic rationalism and to constitute a formidable challenge even today. Gould makes a case for the rightness and psychological necessity of violence and suffering in literature, art, and religion, but he distinguishes between depictions of violence that elicit sympathy only for the victims and those that cause us to sympathize entirely with the perpetrators. It is chiefly the former, Gould argues, that fuel our responses not only to true tragedy but also to religious myths and critical displays of political rage.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  12. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all... mehr

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    Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions

     
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    ISBN: 9781139028257
    Weitere Identifier:
    RVK Klassifikation: CD 1610 ; FE 4451
    Schlagworte: Geschichte; Greek drama (Tragedy) / History and criticism; Pathos in literature; Sympathy in literature; Fear in literature; Emotions (Philosophy) / History; Aesthetics, Ancient; Griechisch; Tragödie; Philosophie; Mitleid <Motiv>; Furcht <Motiv>
    Weitere Schlagworte: Aeschylus / Persae; Aeschylus / Prometheus bound; Sophocles / Ajax; Euripides / Orestes
    Umfang: 1 Online-Ressource (xiii, 278 Seiten)
    Bemerkung(en):

    Theoretical views about pity and fear as aesthetic emotions: Drama and the emotions : an Indo-European connection? ; Gorgias : a strange trio, the poetic emotions ; Plato : from reality to tragedy and back ; Aristotle : the first 'theorist' of the aesthetic emotions -- Pity and fear within tragedies: An introduction ; Aeschylus : Persians ; Prometheus bound ; Sophocles : Ajax ; Euripides : Orestes -- Appendix: Catharsis and the emotions in the definition of tragedy in the Poetics
  13. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    ISBN: 9780521765107
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    Auflage/Ausgabe: 1. publ.
    Schlagworte: Geschichte; Greek drama (Tragedy); Pathos in literature; Sympathy in literature; Fear in literature; Emotions (Philosophy); Aesthetics, Ancient; LITERARY COLLECTIONS / Ancient, Classical & Medieval; Griechisch; Mitleid <Motiv>; Furcht <Motiv>; Tragödie; Philosophie
    Weitere Schlagworte: Aeschylus: Persae; Aeschylus: Prometheus bound; Sophocles: Ajax; Euripides: Orestes
    Umfang: XIII, 278 S.
    Bemerkung(en):

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- Provided by publisher.

    Includes bibliographical references and index
  14. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    ISBN: 9781107526587; 9780521765107
    RVK Klassifikation: CD 1610 ; FE 4451
    Auflage/Ausgabe: 1. paperback ed.
    Schlagworte: Geschichte; Greek drama (Tragedy); Pathos in literature; Sympathy in literature; Fear in literature; Emotions (Philosophy); Aesthetics, Ancient; LITERARY COLLECTIONS / Ancient, Classical & Medieval; Furcht <Motiv>; Griechisch; Mitleid <Motiv>; Philosophie; Tragödie
    Weitere Schlagworte: Aeschylus: Persae; Aeschylus: Prometheus bound; Sophocles: Ajax; Euripides: Orestes
    Umfang: XIII, 278 S.
    Bemerkung(en):

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- Provided by publisher.

    Includes bibliographical references and index
  15. The limits of moralizing
    pathos and subjectivity in Spenser and Milton
    Autor*in: Mikics, David
    Erschienen: 1994
    Verlag:  Bucknell Univ. Press [u.a.], Lewisburg

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  16. The Ancient Quarrel Between Poetry and Philosophy
    Autor*in: Gould, Thomas
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

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    Format: Online
    ISBN: 9781400861866; 1400861861
    Schriftenreihe: Princeton legacy library
    Schlagworte: DRAMA / Ancient & Classical; DRAMA / Ancient, Classical & Medieval; Geschichte; Literatur; Philosophie; Greek drama (Tragedy); Poetics; Suffering in literature; Sympathy in literature; Literature; Pathos in literature; Philosophy, Ancient; Griechisch; Mitleid <Motiv>; Philosophie; Literatur; Poetik; Pathos; Tragödie
    Weitere Schlagworte: Aristoteles (v384-v322); Plato (v427-v347)
    Umfang: 347 pages
    Bemerkung(en):

    Cover; Contents; Part I: The Ancient Quarrel; 1. ""Philosophy"" in Socratism

    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between ""poetry""--The exploitation of our yearning to see ourselves as victims--and ""philosophy""--the insistence that all good people are happy. Plato's objections to tr
  17. "Pathos"
    Konturen eines kulturwissenschaftlichen Grundbegriffs
    Erschienen: [2007]; ©2007
    Verlag:  Transcript Verlag, Bielefeld

    Ist es heute üblich, das gesamte Spektrum menschlicher Tätigkeiten als das genuine Gegenstandsfeld der Kulturwissenschaften anzusehen, so wird damit der ganze Bereich des "pathos" im Sinne von Widerfahrnis, Leidenschaft und Passivität vernachlässigt.... mehr

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    Ist es heute üblich, das gesamte Spektrum menschlicher Tätigkeiten als das genuine Gegenstandsfeld der Kulturwissenschaften anzusehen, so wird damit der ganze Bereich des "pathos" im Sinne von Widerfahrnis, Leidenschaft und Passivität vernachlässigt. Entgegen dieser üblichen Privilegierung der Handlungs- und Herstellungskategorien will der Band mit dem Pathischen dasjenige ins Blickfeld rücken, das nicht nur jede Tätigkeit in unterschiedlicher Weise begleitet, sondern auch Anstoß und Ermöglichungsgrund jeglicher menschlichen Praxis darstellt

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3839406986; 9783839406984
    Weitere Identifier:
    RVK Klassifikation: MR 7100
    Auflage/Ausgabe: 1. Aufl
    Schriftenreihe: Kultur- und Medientheorie
    Schlagworte: Culture; Das Erhabene; Emotions; Gebärde (Motiv); Kultur; Pathos; Sozialwissenschaften, Soziologie, Anthropologie; Pathos dans la littérature; Emotions; Pathos in literature; SOCIAL SCIENCE / Popular Culture; Emotions; Pathos in literature
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (206 Seiten), illustrations
    Bemerkung(en):

    Array: Array
  18. Pathos in late-Medieval religious drama and art
    a communicative strategy
    Autor*in: Mazzon, Gabriella
    Erschienen: [2018]; 2018
    Verlag:  Brill Rodopi, Leiden ; Boston

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004355583
    RVK Klassifikation: EC 5127 ; EC 7502
    Schriftenreihe: "Ludus" Medieval and Early Renaissance Theatre and Drama ; Volume XV
    Schlagworte: Drama, Medieval; Liturgical drama; Theater; Pathos in literature; Christian art and symbolism; Drama; Pathos; Religiöse Literatur; Gefühl <Motiv>; Religiöse Kunst; Religion; Christliche Kunst; Schmerz <Motiv>; Einfühlung; Kunst; Theater
    Umfang: 1 Online-Ressource (326 pages)
    Bemerkung(en):

    Description based on print version record

    Words and images in the late Middle Ages : the social functions of drama and art -- The codification of the public display of emotions -- Verbal and visual rhetoric : lexicon and grammar -- The outward gaze : effective audience engagement
  19. The ancient quarrel between poetry and philosophy
    Autor*in: Gould, Thomas
    Erschienen: [1990]
    Verlag:  Princeton University Press, Princeton, New Jersey

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    ISBN: 0691073759
    Schlagworte: Greek drama (Tragedy); Poetics; Suffering in literature; Sympathy in literature; Literature; Pathos in literature; Philosophy, Ancient
    Umfang: xxvii, 318 Seiten
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    Literaturverzeichnis: Seite [300]-309
  20. Shakespeare's sublime pathos
    person, audience, language
    Autor*in: Sell, Jonathan P. A.
    Erschienen: 2022; ©2022
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of... mehr

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    The conundrum of character -- Hollow men -- Sympathetic imagination -- Language of passion -- The mutualist's dividend. "Shakespeare's Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. This volume explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in Shakespeare's Sublime Ethos. It examines Shakespeare's model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, "sublime critical" platitudes regarding Shakespeare's liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright's sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare's Sublime Ethos and Shakespeare's Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved"--

     
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    ISBN: 9781003180081; 9781000407822; 9781000407877
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    DDC Klassifikation: DRA 010000; LIT 000000; LIT 015000
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Sublime, The, in literature; Pathos in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William; Array; Array; Array; Characters and characteristics; Pathos in literature; Sublime, The, in literature; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xv, 238 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  21. Comedic pathos
    black humor in Twain's fiction
    Autor*in: Mandia, Patricia M.
    Erschienen: c 1991
    Verlag:  McFarland, Jefferson, NC [u.a.]

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    ISBN: 0899506429
    Schlagworte: Humorous stories, American; Black humor; Pathos in literature
    Weitere Schlagworte: Twain, Mark
    Umfang: IX, 134 S, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 129-132) and index
  22. Elizabethan erotic narratives
    Autor*in: Keach, William
    Erschienen: 1977

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    ISBN: 0855273690
    Schlagworte: Narrative poetry, English; Erotic poetry, English; English poetry; Latin poetry; English poetry; Pathos in literature; Irony in literature
    Weitere Schlagworte: Ovid (43 B.C.-17 A.D. or 18 A.D); Ovid (43 B.C.-17 A.D. or 18 A.D)
    Umfang: 277 S, ill
    Bemerkung(en):

    Includes bibliographical references and index
  23. Ritual and pathos
    the theater of O'Neill
    Autor*in: Chabrowe, Leonard
    Erschienen: 1976
    Verlag:  Bucknell Univ. Pr., Lewisburg

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    ISBN: 0838715753
    Schlagworte: American drama; Ritual in literature; Pathos in literature
    Weitere Schlagworte: O'Neill, Eugene (1888-1953)
    Umfang: 226 S, Ill
    Bemerkung(en):

    Bibliography p. 215-219
  24. Elizabethan erotic narratives
    Irony and pathos in the ovidian poetry of Shakespeare, Marlowe, and their contemporaries
    Autor*in: Keach, William
    Erschienen: 1977
    Verlag:  Harvester Pr., Hassocks

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    TU Berlin, Universitätsbibliothek
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  25. Elizabethan erotic narratives
    Irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries
    Autor*in: Keach, William
    Erschienen: 1977
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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