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  1. The anime ecology
    a genealogy of television, animation, and game media
    Autor*in: LaMarre, Thomas
    Erschienen: [2018]; © 2018
    Verlag:  University of Minnesota Press, Minneapolis ; London

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Museum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Regensburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Animation, sport and culture
    Autor*in: Wells, Paul
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    "Animation, Sport and Culture is a wide-ranging study of both sport and animated films. From Goofy to Goalkeepers, Wallace and Gromit to Tiger Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Animation, Sport and Culture is a wide-ranging study of both sport and animated films. From Goofy to Goalkeepers, Wallace and Gromit to Tiger Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history of sport and animation from around the globe. Paul Wells not only explores how sport and animation address 'motion' and seek to produce particular outcomes that are visually spectacular, he examines the two disciplines as body languages that have particular aesthetic, political and technologically determined meanings and effects. Demonstrating that sport and animation are two profoundly significant aspects of contemporary culture, this ground-breaking study will be enjoyed by sports fans and cartoon lovers alike. "..

     
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  3. That's All Folks?
    Ecocritical Readings of American Animated Features
    Autor*in: Murray, Robin L.
    Erschienen: 2011
    Verlag:  UNP - Nebraska, Lincoln

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0803239645; 9780803239647
    Schlagworte: Animated features; PERFORMING ARTS / Animation; Animated films; Environmentalism; Motion pictures; Film; Environmentalism in motion pictures; Animated films; Ökologische Bewegung; Zeichentrickfilm; Umwelt <Motiv>
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature

    7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index

    Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c
  4. The poetics of Slumberland
    animated spirits and the animating spirit
    Autor*in: Bukatman, Scott
    Erschienen: [2012]
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0520265718; 0520265726; 0520951506; 9780520265714; 9780520265721; 9780520951501
    Schlagworte: ART / Performance; ART / Reference; PERFORMING ARTS / Animation; Fantastic, The, in art; Fantasy in motion pictures; Comic books, strips, etc; Animated films; Unordnung <Motiv>; Comic; Animationsfilm; Bewegung <Motiv>
    Umfang: 1 Online-Ressource (xvii, 266 pages, [32] pages of plates)
    Bemerkung(en):

    Includes bibliographical references (pages 239-250) and index

    Introduction: the lively, the playful, and the animated -- Drawn and disorderly -- The motionless voyage of Little Nemo -- Labor and anima -- Disobedient machines -- Labor and animatedness -- Playing superheroes

    "In The Poetics of Slumberland, Scott Bukatman celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. Bukatman begins with Winsor McCay's Little Nemo in Slumberland to explore how and why the emerging media of comics and cartoons brilliantly captured a playful, rebellious energy. Slumberland is more than a marvelous world for Nemo and its other citizens; it is an aesthetic space defined by the artist's innovations. The book broadens to consider similar 'animated' behaviors in seemingly disparate media--films about Jackson Pollock, Pablo Picasso, and Vincent van Gogh; the musical My Fair Lady and the story of Frankenstein; the slapstick comedies of Jerry Lewis; and contemporary comic superheroes--drawing them all together as purveyors of embodied utopias of disorder"--Provided by publisher
  5. <<The>> anime ecology
    a genealogy of television, animation, and game media
    Autor*in: LaMarre, Thomas
    Erschienen: [2018]
    Verlag:  University of Minnesota Press, Minneapolis

    "With the release of author Thomas Lamarre's field-defining study The Anime Machine, critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology, broadening his insights to give a complete... mehr

     

    "With the release of author Thomas Lamarre's field-defining study The Anime Machine, critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology, broadening his insights to give a complete account of anime's relationship to television while placing it in important historical and global frameworks. Lamarre takes advantage of the overlaps between television, anime, and new media...from console games and video to iOS games and streaming...to show how animation helps us think through television in the contemporary moment. He offers remarkable close readings of individual anime while demonstrating how infrastructures and platforms have transformed anime into emergent media (such as social media and transmedia) and launched it worldwide. Thoughtful, thorough illustrations plus exhaustive research and an impressive scope make The anime ecology at once an essential reference book, a valuable resource for scholars, and a foundational textbook for students"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781517904500; 9781517904494
    RVK Klassifikation: EI 6804
    Schlagworte: PERFORMING ARTS / Animation / bisacsh; SOCIAL SCIENCE / Popular Culture / bisacsh; Animated films; Television programs; Video games; Cultural industries; PERFORMING ARTS / Animation; SOCIAL SCIENCE / Popular Culture
    Umfang: 415 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 383-398

    Literaturverzeichnis: Seite 383-398
  6. Pixar with Lacan
    the hysteric's guide to animation
    Autor*in: Rösing, Lilian Munk
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, London

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    Quelle: Verbundkataloge
    Medientyp: Buch (Monographie)
    ISBN: 9781628920598; 9781501320170
    RVK Klassifikation: AP 45400 ; AP 48600 ; CX 7500
    Schlagworte: Animationsfilm; Ästhetik; Philosophie; Animated films; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Animation; PSYCHOLOGY / Movements / Psychoanalysis; Animated films
    Weitere Schlagworte: Lacan, Jacques (1901-1981); Lacan, Jacques (1901-1981)
    Umfang: 181 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  7. Emotion Pictures
    Movies and Feelings
    Autor*in: Fischer, Lucy
    Erschienen: 2022
    Verlag:  Taylor & Francis Ltd, London

    This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth.Drawing on philosophical and psychological approaches, Fischer's... mehr

     

    This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth.Drawing on philosophical and psychological approaches, Fischer's unique analysis offers unparalleled case studies for comprehending emotion in the movies. The book provides the reader with an opportunity to contemplate what notion of a particular emotion is advanced onscreen; to describe how the unique tools and aesthetics of cinema are utilized to do so; to place such representations in dialogue with film theory as well as philosophical and psychological commentary; and to illustrate the important dichotomy between filmic portrayals and audience response.Beyond film and media scholars and students, this book will have resonance for academics and practitioners in several fields of psychology, including social work, psychiatry, and therapy

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032037806
    Schriftenreihe: Routledge Advances in Film Studies
    Schlagworte: Film, Kino; Films, cinema; Media studies; Medienwissenschaften; PERFORMING ARTS / Animation; PERFORMING ARTS / Film & Video / General; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Storytelling; PHILOSOPHY / Aesthetics; PSYCHOLOGY / Emotions; Philosophie des Geistes; Philosophie Ästhetik; Philosophy of mind; Philosophy: aesthetics; Popular culture; Populäre Kultur; Psychologie: Emotionen; Psychology: emotions; SOCIAL SCIENCE / Media Studies
    Umfang: 190 Seiten
    Bemerkung(en):

    Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05)

    Introduction: Film "The Emotion Machine"; 1. Animated Emotions Emblems of Feeling in Inside Out and The Emoji Movie; 2. Grief The Unbearable Heaviness of Being in Pieces of a Woman; 3. Trauma Black Boyhood and Moonlight; 4. Anxiety High Anxiety in Adaptation; 5. Guilt Blame and Culpability in 21 Grams; 6. Jealousy The "Green-Eyed Monster" in Fado; 7. Vengeance "Vengeance is Mine": Red Road; 8. Pity The Refusal of Pathos in Pity; 9. Lust Sex, Greed, and Murder in The Square; 10. Happiness Capturing Joy in Happy-Go-Lucky & Hector and the Search for Happiness; Afterthoughts
  8. The anime ecology
    a genealogy of television, animation, and game media
    Autor*in: LaMarre, Thomas
    Erschienen: [2018]; © 2018
    Verlag:  University of Minnesota Press, Minneapolis ; London

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Verlag (Inhaltsverzeichnis)
  9. That's All Folks?
    Ecocritical Readings of American Animated Features
    Autor*in: Murray, Robin L.
    Erschienen: 2011
    Verlag:  UNP - Nebraska, Lincoln

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0803239645; 9780803239647
    Schlagworte: Animated features; PERFORMING ARTS / Animation; Animated films; Environmentalism; Motion pictures; Film; Environmentalism in motion pictures; Animated films; Ökologische Bewegung; Zeichentrickfilm; Umwelt <Motiv>
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature

    7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index

    Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c