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  1. Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
    Autor*in: Furr, Derek
    Erschienen: 2010
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780230103771; 0230103774
    Auflage/Ausgabe: 1. ed.
    Schlagworte: American poetry; Oral interpretation of poetry; Sound recordings and the arts
    Weitere Schlagworte: Array; Sound recordings
    Umfang: VIII, 198 S., Ill., 22 cm
    Bemerkung(en):

    Formerly CIP Uk. - Includes bibliographical references and index

    Making poetry records, remaking poetic voices: Caedmon and the Library of Congress -- Poets and critics live at the forum: the occasional recording and Elizabeth Bishop -- Authenticity and audience: Millay, Sexton, and vocal connections -- Impersonations: poets, preachers, teachers, and the remaking of God's Trombones.
  2. First language
    Erschienen: 2010
    Verlag:  University of Massachusetts Press, Amherst, Mass

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585268657; 9780585268651
    Schlagworte: Oral interpretation of poetry; Poetry; Oral interpretation of poetry; Poetry
    Umfang: Online Ressource (viii, 71 p.)
    Bemerkung(en):

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  3. Written voices, spoken signs
    tradition, performance, and the epic text
    Erschienen: 2010
    Verlag:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    Schriftenreihe: Center for Hellenic Studies colloquia
    Schlagworte: Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Poésie épique; Littérature comparée; Littérature comparée; Poésie; Communication écrite; Analyse des formules orales; Tradition orale; Tradition orale; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; POETRY ; Medieval; DRAMA ; Ancient & Classical; Mythology, Greek, in literature; Oral-formulaic analysis; Oral interpretation of poetry; Oral tradition; Written communication; Mondelinge literatuur; Ilias (Homerus); Odyssea (Homerus); Poésie épique médiévale ; Histoire et critique ; Congrès; Analyse des formules orales ; Congrès; Tradition orale ; Grèce ; Congrès; Poésie épique grecque ; Histoire et critique ; Congrès; Conference papers and proceedings; Criticism, interpretation, etc
    Weitere Schlagworte: Homer; Homère; Homer; Homer; Homère ; Critique et interprétation ; Congrès; Homer
    Umfang: Online Ressource (viii, 305 p.), ill.
    Bemerkung(en):

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C. - Includes bibliographical references (p. 265-295) and index. - Description based on print version record
  4. Songs of ourselves
    the uses of poetry in America
    Erschienen: 2010
    Verlag:  Belknap Press of Harvard University Press, Cambridge, Mass

    "In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they encountered in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry shaped readers' lives and helped them to find meaning in a poet's words."--Publisher description, from dust jacket

     
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  5. Il mio Dante
    Autor*in: Benigni, Roberto
    Erschienen: [2010]; © 2010
    Verlag:  Einaudi, Torino

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    It.L.Ma.d 154
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Eco, Umberto (VerfasserIn eines Geleitwortes)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788806202743
    Schriftenreihe: Super ET
    Schlagworte: Oral interpretation of poetry; Italian poetry
    Weitere Schlagworte: Dante Alighieri 1265-1321
    Umfang: 145 Seiten
    Bemerkung(en):

    Includes extracts from "La divina commedia" (p. [77]-139) by Dante Alighieri. - In Italian
  6. Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
    Autor*in: Furr, Derek
    Erschienen: 2010
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 792773
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    PC 840.061
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780230103771; 0230103774
    Auflage/Ausgabe: 1. ed.
    Schlagworte: American poetry; Oral interpretation of poetry; Sound recordings and the arts
    Weitere Schlagworte: Array; Sound recordings
    Umfang: VIII, 198 S., Ill., 22 cm
    Bemerkung(en):

    Formerly CIP Uk. - Includes bibliographical references and index

    Making poetry records, remaking poetic voices: Caedmon and the Library of Congress -- Poets and critics live at the forum: the occasional recording and Elizabeth Bishop -- Authenticity and audience: Millay, Sexton, and vocal connections -- Impersonations: poets, preachers, teachers, and the remaking of God's Trombones.