Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 5 von 5.

  1. Masculine singular
    French new wave cinema
    Autor*in: Sellier, Geneviève
    Erschienen: 2008
    Verlag:  Duke University Press, Durham

    Masculine Singular is an original interpretation of French New Wave cinema by one of France's leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the... mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Masculine Singular is an original interpretation of French New Wave cinema by one of France's leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema's formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they "wrote" in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers' focus on gender relations, Sellier reflects on the careers of New Wave's iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier's thorough exploration of early New Wave cinema culminates in her contention that its principal legacy--the triumph of a certain kind of cinephilic discourse and of an "auteur theory" recognizing the director as artist--came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema's modernity was accompanied by an association of creativity with masculinity.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Ross, Kristin (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822388975
    RVK Klassifikation: AP 44935 ; AP 45400 ; AP 45700 ; AP 53970 ; AP 59735
    Schlagworte: New wave films; Motion pictures; Motion pictures; New wave films
    Umfang: 1 Online-Ressource (vi, 269 Seiten)
    Bemerkung(en):

    Includes bibliographical references (p. [245]-251) and index

    Aus dem Französischen übersetzt

    Contents; Acknowledgments; Introduction: The Aesthetic Doxa on the New Wave; Chapter One: A New Generation Marked by the Emergence of Women; Chapter Two: Cinephilia in the 1950s; Chapter Three: Auteur Cinema: An Affair of State; Chapter Four: Contrasting Receptions; Chapter Five: The Precursors; Chapter Six: Between Romanticism and Modernism; Chapter Seven: Nostalgia for a Heroic Masculinity; Chapter Eight: The Women of the New Wave: Between Modern and Archaic; Chapter Nine: Jeanne Moreau: Star of the New Wave and Icon of Modernity

    Chapter Ten: Brigitte Bardot and the New Wave: An Ambivalent RelationshipChapter Eleven: The Independent Filmmakers of the Left Bank:A ''Feminist'' Alternative?; Conclusion: The New Wave's Legacy: ''Auteur Cinema''; Appendix One: Box Office Results; Appendix Two: The Press; Notes; Bibliography; Index
  2. Masculine singular
    French new wave cinema
    Autor*in: Sellier, Geneviève
    Erschienen: 2008
    Verlag:  Duke Univ. Press, Durham [u.a.]

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Motion pictures / France / History; New wave films / France / History and criticism; Femmes au cinéma; Nouvelle Vague (Cinéma) - France; Sexisme au cinéma; Film; Geschichte; Motion pictures; New wave films; Nouvelle vague; Geschlecht <Motiv>
    Umfang: VI, 269 S., Ill., 23 cm
    Bemerkung(en):

    Translated from the French

    Includes bibliographical references (p. [245]-251) and index
  3. Masculine singular
    French new wave cinema
    Autor*in: Sellier, Geneviève
    Erschienen: 2008
    Verlag:  Duke Univ. Press, Durham [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Motion pictures / France / History; New wave films / France / History and criticism; Femmes au cinéma; Nouvelle Vague (Cinéma) - France; Sexisme au cinéma; Film; Geschichte; Motion pictures; New wave films; Nouvelle vague; Geschlecht <Motiv>
    Umfang: VI, 269 S., Ill., 23 cm
    Bemerkung(en):

    Translated from the French

    Includes bibliographical references (p. [245]-251) and index
  4. Masculine singular
    french new wave cinema
    Autor*in: Sellier, Geneviève
    Erschienen: 2008
    Verlag:  Duke University Press, Durham

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780822341758; 0822341751; 9780822341925; 0822341921
    Schlagworte: Film; Geschichte; Motion pictures; New wave films; Geschlecht <Motiv>; Nouvelle vague
    Umfang: vi, 269 p., ill., 23 cm
    Bemerkung(en):

    Translated from the French.

    Includes bibliographical references (p. [245]-251) and index
  5. Masculine singular
    french new wave cinema
    Autor*in: Sellier, Geneviève
    Erschienen: 2008
    Verlag:  Duke Univ. Press, Durham [u.a.]

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signatur:
    2.3.FR-SEL
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:KG:3200:Sell::2008
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    51 A 5320
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Sellier, Geneviève
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780822341758; 9780822341925
    Weitere Identifier:
    9780822341925
    RVK Klassifikation: AP 44935 ; AP 45400 ; AP 45700 ; AP 53970 ; AP 59735
    Schlagworte: Motion pictures; New wave films; Motion pictures; New wave films
    Umfang: VI, 269 S, Ill
    Bemerkung(en):

    Includes bibliographical references and index