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  1. Motiv und Figur in den Kompositionen der Jenufa-Werkgruppe Leoš Janáčeks
    Unters. zum Prozess d. kompositor. Individuation bei Janáček
    Autor*in: Ströbel, Dietmar
    Erschienen: 1975
    Verlag:  Musikverlag Katzbichler, [Wilhelming]

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783873970533; 3873970538
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070); Fotografie, Fotografien, Computerkunst (770); Musik (780); Freizeitgestaltung, darstellende Künste, Sport (790); Öffentliche Darbietungen, Film, Rundfunk (791); Bühnenkunst (792)
    Schriftenreihe: Freiburger Schriften zur Musikwissenschaft ; Bd. 6
    Schlagworte: Motiv <Musik>; Figur <Musik>; Motiv (Musik); Figur (Musik); Janáček, Leoš; Motiv <Musik>; Figur <Musik>
    Weitere Schlagworte: Janáček, Leoš; Janáček, Leoš (1854-1928)
    Umfang: 209 S., graph. Darst., Noten, 25 cm
    Bemerkung(en):

    Auf d. Haupttitelseite als Erscheinungsorte: München, Salzburg. - Literaturverz. S. 206 - 209

    Zugl.: Freiburg (Breisgau), Univ., Philos. Fak., Diss., 1970.
  2. Untersuchungen zur motivischen Arbeit in Haydns sinfonischem Spätwerk
    Autor*in: Bard, Raimund
    Erschienen: 1982
    Verlag:  Bärenreiter, Kassel

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783761806807; 3761806809
    DDC Klassifikation: Musik (780)
    Schlagworte: Sinfonie; Motiv <Musik>; Haydn, Joseph; Motiv (Musik); Sinfonie; Motiv <Musik>
    Weitere Schlagworte: Haydn, Joseph; Haydn, Joseph (1732-1809)
    Umfang: 319 S., Noten, 22 cm
    Bemerkung(en):

    Literaturverz. S. 315 - 319

    Zugl.: Saarbrücken, Univ., Diss., 1981
  3. Friedrich Schlegels Europa
    Autor*in: Chélin, Henri
    Erschienen: 1981
    Verlag:  Lang, Frankfurt am Main

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  4. Motivtechnik von Johannes Brahms und Arnold Schönbergs Dodekaphonie
    Autor*in: Federhofer, Hellmut
    Erschienen: 1989
    Verlag:  Verl. d. Österr. Akad. d. Wiss., Wien

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    DDC Klassifikation: 2402; Musik (780); Freizeitgestaltung, darstellende Künste, Sport (790); Öffentliche Darbietungen, Film, Rundfunk (791); Bühnenkunst (792)
    Schriftenreihe: Anzeiger der Phil.-Hist. Klasse der Österreichischen Akademie der Wissenschaften : Sonderabdruck aus dem Anzeiger der Phil.-Hist. Klasse der Österreichischen Akademie der Wissenschaften ; Jg. 125, So. 8
    Mitteilungen der Kommission für Musikforschung ; Nr. 41
    Schlagworte: Motiv (Musik); Brahms, Johannes; Schönberg, Arnold; Motiv <Musik>
    Weitere Schlagworte: Brahms, Johannes (1833-1897); Schönberg, Arnold (1874-1951)
    Umfang: S. 178 - 185, Noten, 24 cm
  5. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
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    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible and which provide a basis for argument about judgements of value. The intellectual scope of the series is broad. Some investigations will treat, for example, historiographical topics, others will apply cross-disciplinary methods to the criticism of music, and there will also be studies which consider music in its relation to society, culture, and politics. Overall, the series hopes to create a greater presence for music in the ongoing discourse among the human sciences"-- "What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E.T.A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation"-- From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511820496; 1139145347; 9781139145343; 9780511820496
    Schriftenreihe: New perspectives in music history and criticism
    Schlagworte: Music; Music; Music and philosophy; Music; MUSIC ; Genres & Styles ; International; Music and philosophy; Music; Music ; Philosophy and aesthetics; Musiktheorie; Tiefe; Ausdruck; Musikästhetik; Tiefe; Motiv (Musik); Criticism, interpretation, etc
    Weitere Schlagworte: Schenker, Heinrich; Schönberg, Arnold; Schumann, Robert; Wagner, Richard; Marx, Adolf Bernhard
    Umfang: 1 Online-Ressource (xii, 335 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. From the mine to the shrine: the critical origins of musical depth; 2. Adolf Bernhard Marx and the inner life of music; 3. Robert Schumann and poetic depth; 4. Richard Wagner and the depths of time; 5. Heinrich Schenker and the apotheosis of musical depth; 6. Schoenberg's interior designs; Bibliography
  6. Desire by gender and genre in trouvère song
    Autor*in: Dell, Helen
    Erschienen: ©2008
    Verlag:  D.S. Brewer, Woodbridge, Suffolk

    This study brings the songs of the trouvères to an encounter with Lacanian psychoanalytic theories of signification, sexual difference and unconscious desire. In trouvère song desire functions as a means of generic and 'genderic' differentiation. The... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    This study brings the songs of the trouvères to an encounter with Lacanian psychoanalytic theories of signification, sexual difference and unconscious desire. In trouvère song desire functions as a means of generic and 'genderic' differentiation. The trouvères distinguished between sexual need or lust and desire, the latter usually confined to the masculine voice in high style. Less exalted persons, in whose company women were already implicitly included, appear as incapable of desire in the fin'amors register. Critics have treated the issue of desire as represented in the courtly chanson but, because criticism has followed the trouvères' distinction between desire and need, discussion of desire has been limited to songs in the courtly register rather than across the system of genres. Desire in Lacan's sense, that is unconscious desire, is present in all genres and voices and this book unearths the unspoken desires of trouvère song by an attention to the characteristic means by which subjects subvert their demands in different genres

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846156267; 1846156262
    Schriftenreihe: Gallica ; v. 10
    Schlagworte: Trouvère songs; Desire in literature; Chansons de trouvères - Histoire et critique; Désir dans la littérature; MUSIC - Instruction & Study - Voice; MUSIC - Printed Music - Piano-Vocal-Guitar; LITERARY CRITICISM - European - French; Desire in literature; Trouvère songs; Troubadour Trouvère - Chanson; Chanson - französisches - Geschichte Mittelalter; Lyrik; Liebeslied; Psychoanalyse; Motiv (Musik); Geschlechterrolle; Begierde; Verlangen; Trouvère; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (x, 241 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: a kaleidoscope of différance -- 1. The song system I: an unstable hierachy: the unmarked masculine -- 2. The song system II: the ignoble words of Eve: femininity in the system -- 3. Desire by gender and genre I: low lusts and high desires, pastourelle and chanson -- 4. Desire by gender and genre II: ignoble desires of the triumphalist chanson d'ami -- 5. Chronotypes of desire I: case-study of a malmariée: feminine space/ times -- 6. Chronotypes of desire II: the contained and containing heart: masculine space/times -- 7. Desiring differently: the chanson in the feminine voice -- 8. Afterthoughts: '"[T]hat's not it" and "that's still not it"'.