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  1. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford Univ. Press, New York [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.893.19
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Gießen, Bibliothek Anglistik
    F UP 1254
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    199.678
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0195101782; 0195101774
    RVK Klassifikation: HU 1761
    Schlagworte: Lyrik; Postmoderne
    Umfang: IX, 209 S.
  2. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585368376; 1280452307; 9780585368375; 9781280452307
    RVK Klassifikation: HU 1740 ; HU 1760 ; HU 1761 ; HU 1769
    Schlagworte: LITERARY CRITICISM / Poetry; Poésie américaine / 20e siècle / Histoire et critique; Postmodernisme (Littérature) / États-Unis; Dichtkunst; Amerikaans; Postmodernisme; Postmoderne; American poetry; Postmodernism (Literature); Lyrik; Postmoderne
    Umfang: 1 Online-Ressource (ix, 209 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 177-195) and index

    What was postmodern poetry? -- Elizabeth Bishop's bramble bushes -- Elizabeth Bishop's social conscience -- Randall Jarrell's semifeminine mind -- Richard Wilbur's small world -- John Ashbery's individual talent -- Amy Clampitt's United States -- Richard Howard's modern world -- Robert Pinsky's social nature -- Jorie Graham's big hunger

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them

  3. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford University Press, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195101782
    RVK Klassifikation: HU 1740 ; HU 1760 ; HU 1761 ; HU 1769
    Schlagworte: American poetry; Postmodernism (Literature); Lyrik; Postmoderne
    Umfang: ix, 209 p
    Bemerkung(en):

    Includes bibliographical references (p. 177-195) and index

  4. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford University Press, New York, New York ; Oxford, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195356359
    RVK Klassifikation: HU 1740 ; HU 1760 ; HU 1761 ; HU 1769
    Schlagworte: American poetry; Postmodernism (Literature); Lyrik; Postmoderne
    Umfang: 1 Online-Ressource (222 pages)
    Bemerkung(en):

    Includes index

    Description based on print version record

  5. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford Univ. Press, New York [u.a.]

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s,... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them.

     

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  6. Modern Poetry after Modernism
    Erschienen: 1997
    Verlag:  Oxford University Press, Cary ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195356359
    RVK Klassifikation: HU 1761
    Schlagworte: Lyrik; Postmoderne
    Umfang: 1 Online-Ressource (222 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  7. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s,... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585368376; 9780585368375; 9780195101782; 0195101782; 1280452307; 9781280452307
    RVK Klassifikation: HU 1761
    Schlagworte: Lyrik; Postmoderne
    Umfang: 1 Online-Ressource (ix, 209 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-195) and index

  8. Modern poetry after modernism
    Erschienen: 1997
    Verlag:  Oxford Univ. Press, New York [u.a.]

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s,... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt