Verlag:
Springer International Publishing AG, Cham
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- Contributions -- Works Cited -- Conversations with the Dead I -- Collaborating with the Dead: Adapters as Secret Agents -- Works Cited -- Adaptation:...
mehr
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- Contributions -- Works Cited -- Conversations with the Dead I -- Collaborating with the Dead: Adapters as Secret Agents -- Works Cited -- Adaptation: Drama and Theatre -- playing 'the maids': Devising an Adaptation-Collaboration and the Actor's Process -- Who? -- What? -- Parataxis and Visual Dramaturgy -- Musicalisation -- Irruption of the Real -- Physicality -- Play with the Density of Signs -- Why (This Material and This Ensemble)? -- Where? When? -- How? -- Conclusion -- Works Cited -- The Not-So-Singular Life of Albert Nobbs -- Works Cited -- Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- Works Cited -- Adaptation: Literature and Screen -- The Alien World of Objects: Stanley Kubrick's The Killing -- Works Cited -- Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- Docupoetry -- Script Poems -- Conclusion -- Works Cited -- "His world had vanished long before he entered it": Wes Anderson's Homage to Stefan Zweig -- Introduction: A World of Yesterday -- The Pink Castle: Selections from the Writings of Stefan Zweig, or Anderson's Particular Form of Adaptation -- The Lobby Boy and the Concierge -- Conclusion -- Works Cited -- Adaptation: Screen and Politics -- Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter/The Rider on the White Horse (1888) -- Works Cited -- Adapting Hein's Willenbrock: Andreas Dresen and the Legacy of the GDR 'Ensemble' Tradition -- Introduction -- Willenbrock as Adaptation -- The "Ensemble Tradition" and GDR Theatre -- The "Ensemble Tradition" and GDR Cinema -- The Willenbrock Ensemble in Practice -- Conclusion -- Works Cited.
