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  1. Adaptation Considered As a Collaborative Art
    Process and Practice
    Erschienen: 2020; ©2020
    Verlag:  Springer International Publishing AG, Cham

    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- Contributions -- Works Cited -- Conversations with the Dead I -- Collaborating with the Dead: Adapters as Secret Agents -- Works Cited -- Adaptation:... mehr

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    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- Contributions -- Works Cited -- Conversations with the Dead I -- Collaborating with the Dead: Adapters as Secret Agents -- Works Cited -- Adaptation: Drama and Theatre -- playing 'the maids': Devising an Adaptation-Collaboration and the Actor's Process -- Who? -- What? -- Parataxis and Visual Dramaturgy -- Musicalisation -- Irruption of the Real -- Physicality -- Play with the Density of Signs -- Why (This Material and This Ensemble)? -- Where? When? -- How? -- Conclusion -- Works Cited -- The Not-So-Singular Life of Albert Nobbs -- Works Cited -- Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- Works Cited -- Adaptation: Literature and Screen -- The Alien World of Objects: Stanley Kubrick's The Killing -- Works Cited -- Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- Docupoetry -- Script Poems -- Conclusion -- Works Cited -- "His world had vanished long before he entered it": Wes Anderson's Homage to Stefan Zweig -- Introduction: A World of Yesterday -- The Pink Castle: Selections from the Writings of Stefan Zweig, or Anderson's Particular Form of Adaptation -- The Lobby Boy and the Concierge -- Conclusion -- Works Cited -- Adaptation: Screen and Politics -- Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter/The Rider on the White Horse (1888) -- Works Cited -- Adapting Hein's Willenbrock: Andreas Dresen and the Legacy of the GDR 'Ensemble' Tradition -- Introduction -- Willenbrock as Adaptation -- The "Ensemble Tradition" and GDR Theatre -- The "Ensemble Tradition" and GDR Cinema -- The Willenbrock Ensemble in Practice -- Conclusion -- Works Cited.

     

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    Quelle: Verbundkataloge
    Beteiligt: MagShamhráin, Rachel (MitwirkendeR); Preuschoff, Nikolai (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030251611
    Schriftenreihe: Adaptation in Theatre and Performance Ser.
    Schlagworte: Literature-Adaptations; Electronic books
    Umfang: 1 online resource (373 pages)
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  2. Lovecraft in the 21st Century
    Dead, but Still Dreaming
    Erschienen: 2021; ©2022
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgments -- List of Contributors -- Introduction -- Anthropocene -- Adaptation -- Video Games -- Lovecraft Forever -- Outline of the... mehr

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    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgments -- List of Contributors -- Introduction -- Anthropocene -- Adaptation -- Video Games -- Lovecraft Forever -- Outline of the Volume -- Notes -- Works Cited -- Chapter 1: Lovecraft and the Stage: A Recent (Re)Discovery -- Lovecraft's Experience of Theatre and Drama -- Dramatizing H.P.L. Himself -- Newly Discovered: Lovecraft's Work Adapted for the Stage -- The Atlanta Radio Theatre Company, the H.P. Lovecraft Historical Society, and the Radiotheatre of New York City -- Innsmouth in Chicago: Wildclaw Theatre -- Open Circle Theatre -- Visceral Lovecraft in Los Angeles -- Wicked Lit -- Lovecraft in London -- Reanimator: The Musical -- Conclusion -- Notes -- Works Cited -- Chapter 2: Lovecraftian Landscapes and Cosmic Horror in HBO's True Detective (2014) -- Notes -- Works cited -- Filmography -- Chapter 3: An Uncanny Absence: Lovecraft in Brazilian Cinema, 1975-2016 -- Lovecraft Editions in Brazil -- Lovecraftian Cinema in Brazil -- Three Lovecraftian Short Films and Two Feature Films -- Conclusion -- Notes -- Works Cited -- Chapter 4: The Masks of E'ch-Pi-El: Interpreting the Life and Work of H.P. Lovecraft -- Useful Constructs -- An Odd Selection -- Controversial Figure -- Building the (Im)Perfect Author -- Notes -- Works Cited -- Chapter 5: "It's like a maze you can't see": Comics Cryptomimesis of Lovecraft and the Lovecraftian in Alan Moore's Neonomicon (2004-2005) and Providence (2015-2017) -- "Beyond the Wall": The Comics Frame Adaptation of the Cryptic and Interdimensional -- "The Dreams in the Witch House": From Parallel Dimension to Panel Dimensions -- The Magic Circle: Geometric Conjurations in Providence -- Named Cults: Moore's Interpretation of the Cultural Uptake of Lovecraft's Mythos.

     

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    Quelle: Verbundkataloge
    Beteiligt: Sederholm, Carl H. (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000531619
    Schriftenreihe: Routledge Studies in Speculative Fiction Ser.
    Schlagworte: Lovecraft, H. P.-(Howard Phillips),-1890-1937; Influence (Literary, artistic, etc.); Literature-Adaptations; Electronic books
    Umfang: 1 online resource (330 pages)
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  3. The Arden research handbook of Shakespeare and adaptation
    Beteiligt: Henderson, Diana E. (HerausgeberIn); O'Neill, Stephen (HerausgeberIn)
    Erschienen: 2022
    Verlag:  The Arden Shakespeare, London

    Cover -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgements -- Introduction Diana E. Henderson and Stephen O'Neill -- Part One: Research methods and problems -- 1.1 Shakespeare as adaptor Emma Smith -- 1.2 Shakespeare and... mehr

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    Cover -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgements -- Introduction Diana E. Henderson and Stephen O'Neill -- Part One: Research methods and problems -- 1.1 Shakespeare as adaptor Emma Smith -- 1.2 Shakespeare and adaptation theory: unfinished business Douglas M. Lanier -- 1.3 What is Shakespeare adaptation?: Why Pericles ? Why Cloud? Why now? Julie Sanders -- Part Two: Current research and issues -- Histories and politics of adaptation -- 2.1 Politics, adaptation, Macbeth William C. Carroll -- 2.2 Animating an archive of Black performance: swing, William Alexander Brown and The African Company Presents 'Richard III' Joyce Green MacDonald -- 2.3 'Does anyone know another text?': Post-migratory Othello adaptations on the German-speaking stage Sabine Schülting -- 2.4 Japanese novelizations of Shakespeare's Hamlet and Macbeth: the culture of hon'an as adaptational practice Yukari Yoshihara -- Shakespeare in parts -- 2.5 Shakespeare Live! and the commemorative gala revue: rhetoric, festivity and fragmented adaptation Ailsa Grant Ferguson -- 2.6 'What burgeons in the memory …': transgression, culture and canon in postmodern adaptations of the Sonnets Rui Carvalho Homem -- 2.7 'Play on', or the memeing of Shakespeare: adaptation and internet culture Anna Blackwell -- 2.8 Bollywood Gertrudes and Global Shakespeares Varsha Panjwani -- Media lenses and digital cultures -- 2.9 Screening dreamy LA: reading genre in Casey Wilder Mott's Hollywood A Midsummer Night's Dream (2018) Melissa Croteau -- 2.10 Televisual adaptation of Shakespeare in a multi-platform age Susanne Greenhalgh -- 2.11 On location in Asian Shakespeare stage adaptations Yong Li Lan -- 2.12 'And we will ship him hence': The case for Shakespeare fan studies Valerie M. Fazel and Louise Geddes -- Part Three: New directions.

     

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    Quelle: Verbundkataloge
    Beteiligt: Henderson, Diana E. (HerausgeberIn); O'Neill, Stephen (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350110311; 9781350110328
    RVK Klassifikation: HI 3330
    Schriftenreihe: The Arden Shakespeare handbooks
    Schlagworte: Literature-Adaptations; Electronic books
    Umfang: 1 Online-Ressource (xiii, 418 pages), Illustrationen
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    Literaturverzeichnis: Seite 368 - 405

  4. Shakespeare and adaptation theory
    Autor*in: Iyengar, Sujata
    Erschienen: 2023
    Verlag:  The Arden Shakespeare, London

    Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- Dedication -- CONTENTS -- SERIES EDITOR'S PREFACE -- FIGURES -- TABLES -- ACKNOWLEDGEMENTS -- NOTE ON TEXTS AND SOURCES USED -- INTRODUCTION Much ado about adaptation -- What... mehr

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    Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- Dedication -- CONTENTS -- SERIES EDITOR'S PREFACE -- FIGURES -- TABLES -- ACKNOWLEDGEMENTS -- NOTE ON TEXTS AND SOURCES USED -- INTRODUCTION Much ado about adaptation -- What or whom are we adapting? -- Metaphors we adapt by -- Adaptation as annotation in Much Ado -- 1 Plants, off-shoots, genes: Rhizomes -- Plants -- Off-shoots -- Genes -- Rhizomes: Plantation in some Tempest s -- 2 Art, property, theft: Appropriation -- Art -- Property -- Theft -- Appropriation as revisioning: Othello without Othello (and Desdemona) -- 3 Fidelity, families, ethics: Derivatives -- Fidelity -- Families: Lear among the editors -- Ethics and editing -- Derivatives: Lear 's progeny -- 4 Transfer, remediation, broadcast: Intermedia -- Transfer -- Remediation -- Broadcast and podcast -- Intermedia: Audio Hamlets -- 5 Memes, networks, fans: Transformations -- Memes -- Networks -- Fans -- Transformations: A gender-agenda in Twelfth Night -- 6 Relocation, translation, hybridization: Tradaptation -- Relocation -- Translation -- Hybridization -- Tradaptation: The peregrinations of Pericles -- 7 Accidents, remains, traces: Accommodations -- Accidents -- Remains -- Traces -- Accommodations: Romeo and Juliet -- Glossary of selected terms By Philip Gilreath with Sujata Iyengar -- NOTES -- REFERENCES -- INDEX.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350073593; 9781350073609
    RVK Klassifikation: HI 3375 ; HI 3330
    Schriftenreihe: Arden Shakespeare and Theory
    Schlagworte: Shakespeare, William,-1564-1616; Mass media; Literature-Adaptations; Electronic books
    Umfang: Online-Ressource
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    Literaturverzeichnis: Seite 189-228

  5. Adaptation and Beyond
    Hybrid Transtextualities
    Erschienen: 2023; ©2023
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- Editors' Introduction: Hybrid Zones of Transtextual World-Building: Towards the Mezzaterra of Adaptation -- Works Cited -- Part... mehr

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    Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- Editors' Introduction: Hybrid Zones of Transtextual World-Building: Towards the Mezzaterra of Adaptation -- Works Cited -- Part I Aesthetics And/as Politics in Hybrid Transtextual Adaptation -- 1 Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing -- Introduction -- Beyond Adaptation: Celebrating Hybridity -- Collapsing Binaries -- Text and Paratext -- Seriality, Repetition, and Afterimages -- Polyphony and Its Vehicles -- Beyond Adaptation: Towards Creative Criticism -- Conclusions -- Notes -- Works Cited -- 2 Joycean Biographics as Hybrid Transmedia Adaptations: World-Building Through Biographical Comics -- Introduction -- From Worldmaking to World-Building -- Graphic Biography as a Hybrid Transmedia Genre -- Situating Biographics in the World of Biography -- Zapico's Biographics -- Talbot's Biographics -- Conclusion -- Works Cited -- 3 Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration -- Resurfacing Speech -- Reframed Pasts -- Entangled Narratives -- Adapted Medievalisms -- Notes -- Works Cited -- Part II Repurposing "Classics" -- 4 Appropriating Biography: The Hybrid "Face" of Shakespeare in Branagh's All Is True -- Introduction -- History as a Genre -- Shakespeare's Biography -- Branagh's Shakespeare -- Conclusion -- Notes -- Works Cited -- 5 Advertising as Adaptation: The Case of Romeo and Juliet -- Notes -- Works Cited -- 6 Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri -- Works Cited -- Part III East-West Adaptation Flows -- 7 "Cobra Kai Never Dies": Rebooting The Karate Kid Franchise for a 21st-Century YouTube and Netflix Audience -- Works Cited.

     

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    Quelle: Verbundkataloge
    Beteiligt: Kębłowska-Ławniczak, Ewa (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000956252
    Schriftenreihe: Routledge Interdisciplinary Perspectives on Literature Series
    Schlagworte: Literature-Adaptations; Adaptation (Literary, artistic, etc.); Intermediality; Intertextuality
    Umfang: 1 online resource (227 pages)
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