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  1. "Wahrlich, ich sage dir: heute wirst du mit mir im Paradies sein!"
    zur Verortung der Verstorbenen in der Katakombenmalerei
    Autor*in: Mührenberg, Lara
    Erschienen: 2020

    Roman catacomb paintings show a multitude of deceased people in the afterlife. To date, it has not been possible to clarify conclusively what kind of otherworldly place is depicted. Is it an Elysian realm, as known from pagan traditions, is it a... mehr

    Standort:
    Ev. Hochschul- und Zentralbibliothek Württemberg, Standort Stuttgart-Möhringen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    Roman catacomb paintings show a multitude of deceased people in the afterlife. To date, it has not been possible to clarify conclusively what kind of otherworldly place is depicted. Is it an Elysian realm, as known from pagan traditions, is it a temporary place like the refrigerium interim, where the souls of the deceased must wait until the Last Judgement, or is it instead an eternal otherworldly place? To clarify this question, the following is explored: Does the context in which the deceased are presented in the images give any clues to their conceived whereabouts? Can this place be identified by statements in written sources? Are there indications of the physical condition of the deceased that might suggest their resurrection status? It turns out that - as in the literary sources - a variety of concepts are depicted. Surprisingly, fewer representations are likely to show a finite refrigerium than previously thought. Rather, it must be assumed that in various catacomb paintings people are already shown in the resurrection body.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: Jahrbuch für Antike und Christentum; Münster, Westf. : Aschendorff, 1958; 63(2020), Seite 54-77

    Schlagworte: Afterlife; Dead; Fresco painting; Literary sources; Physical training & conditioning; Soul
    Bemerkung(en):

    Nach Seite 276: Tafeln 5-6