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  1. Recording Russia
    trying to listen in the nineteenth century
    Autor*in: Safran, Gabriella
    Erschienen: 2022
    Verlag:  Cornell University Press, Ithaca

    "Nineteenth-century Russian writers including Dahl, Turgenev, and Dostoevsky, and travelers including Custine and Haxthausen, describe scenes where they and their characters listen to, record, and borrow other people's words. Drawing on linguistic... mehr

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2023/2427
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 8587
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Nineteenth-century Russian writers including Dahl, Turgenev, and Dostoevsky, and travelers including Custine and Haxthausen, describe scenes where they and their characters listen to, record, and borrow other people's words. Drawing on linguistic anthropology and media studies, this book explores how these scenes index identities, reference communication technology, and change over time" --

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501766329
    Weitere Identifier:
    9781501766329
    Schlagworte: Russian language; Russian language; Oral communication; Language and culture; Russian literature; Listening; Listening in literature; Speech in literature
    Umfang: ix, 288 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Recording Russia
    trying to listen in the nineteenth century
    Autor*in: Safran, Gabriella
    Erschienen: [2022]; © 2022
    Verlag:  Cornell University Press, Ithaca, NY

    Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where... mehr

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    Verlag (lizenzpflichtig)
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    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    ebook
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies—not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words

     
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