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  1. Jews, Blood, and Post-Zionist TV
    The Mizrahi as Vampire in Juda
    Autor*in: Rosen, Ido
    Erschienen: 2022

    The success of the Israeli vampire-crime-comedy series Juda is not at all trivial, to say the least. It dared to adopt a controversial subgenre that is associated with antisemitism and blood libels. Moreover, it deals with social traumas and the... mehr

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    The success of the Israeli vampire-crime-comedy series Juda is not at all trivial, to say the least. It dared to adopt a controversial subgenre that is associated with antisemitism and blood libels. Moreover, it deals with social traumas and the ethnic conflict between the Zionist Ashkenazi hegemony and the Mizrahi sector, which accuses the hegemony of oppression and discrimination. Juda expresses a critical agenda: a dissolution of Zionist values as the only solution and chance for redemption, both for the hero and for society. Thus, despite emerging at a time when the horror genre had experienced a late blooming on Israeli screens, its appearance is connected to two other central processes in contemporary Israeli film and television: the incorporation of religion and the ascendancy of the Mizrahi hero. Juda overcomes the inherent problem in the image of the Jewish vampire—first by creating a distinction between a Jewish vampire and a gentile vampire, and second by having a protagonist who is a Mizrahi Jew.

     

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    Sprache: Englisch
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    Format: Online
    Übergeordneter Titel: Enthalten in: Journal of religion and popular culture; Saskatoon, SK : University of Saskatchewan, 2002; 34(2022), 3, Seite 201-220; Online-Ressource

    Schlagworte: Ashkenazi; Israel; Jewish; Juda; Mizrahi; antisemitism; horror; post-Zionist; television; vampires
  2. Memory as overt allusion trigger in ancient literature
    Autor*in: Adams, Sean A.
    Erschienen: 2022

    This paper begins with a brief definition of allusion. The majority of the paper investigates the ways that memory language was used by ancient authors (Jewish, Greek, and Latin) as a literary technique to signal overt intertextual and intratextual... mehr

    Index theologicus der Universitätsbibliothek Tübingen
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    This paper begins with a brief definition of allusion. The majority of the paper investigates the ways that memory language was used by ancient authors (Jewish, Greek, and Latin) as a literary technique to signal overt intertextual and intratextual allusions. I argue that this is a recognized, intentional, and cross-cultural phenomenon with varied practices and that scholars need to consider this in future studies of intertextuality.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Journal for the study of the pseudepigrapha; London : Sage, 1987; 32(2022), 2, Seite 110-126; Online-Ressource

    Schlagworte: new testament; memory; Jewish; intertextuality; Graeco-Roman; allusion