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  1. The sense of brown
    ethnicity, affect and performance
    Autor*in: Muñoz, José Esteban
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Takano Chambers-Letson, Joshua (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478011033
    Schlagworte: Hispanic Americans in the performing arts; Hispanic Americans / Ethnic identity; Performance art; Queer theory; Art and race; Art and race; Hispanic Americans / Ethnic identity; Hispanic Americans in the performing arts; Performance art; Queer theory; Theater; Queer-Theorie; Hispanos; Ethnizität; Ethnische Identität
    Umfang: xxxiii, 185 Seiten, Illustrationen
    Bemerkung(en):

    The Brown Commons -- Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and -- Other STDs) -- The Onus of Seeing Cuba: Nilo Cruz's Cubanía -- Meandering South: Isaac Julien and The Long Road to Mazatlán -- "Chico, What Does It Feel Like to Be a Problem?": The Transmission of Brownness -- The Vulnerability Artist: Nao Bustamante and the Sad Beauty of Reparation -- Queer Theater, Queer Theory: Luis Alfaro's Cuerpo Politizado (2000) -- Performing the Bestiary: Carmelita Tropicana's With What Ass Does the Cockroach Sit?/Con Que Culo se Sienta la Cucaracha? -- Performing Greater Cuba: Tania Bruguera and the Burden of Guilt -- Wise Latinas -- Brown Worldings: Jose Rodriguez-Soltero, Tania Bruguera, and María Irene Fornés -- The Sense of Wildness: The Brown Commons after Paris Burned -- Vitalism's Afterburn: The Sense of Ana Mendieta
  2. The sense of brown
    ethnicity, affect and performance
    Autor*in: Muñoz, José Esteban
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Takano Chambers-Letson, Joshua (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478011033
    Schlagworte: Hispanic Americans in the performing arts; Hispanic Americans / Ethnic identity; Performance art; Queer theory; Art and race; Art and race; Hispanic Americans / Ethnic identity; Hispanic Americans in the performing arts; Performance art; Queer theory; Theater; Queer-Theorie; Hispanos; Ethnizität; Ethnische Identität
    Umfang: xxxiii, 185 Seiten, Illustrationen
    Bemerkung(en):

    The Brown Commons -- Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and -- Other STDs) -- The Onus of Seeing Cuba: Nilo Cruz's Cubanía -- Meandering South: Isaac Julien and The Long Road to Mazatlán -- "Chico, What Does It Feel Like to Be a Problem?": The Transmission of Brownness -- The Vulnerability Artist: Nao Bustamante and the Sad Beauty of Reparation -- Queer Theater, Queer Theory: Luis Alfaro's Cuerpo Politizado (2000) -- Performing the Bestiary: Carmelita Tropicana's With What Ass Does the Cockroach Sit?/Con Que Culo se Sienta la Cucaracha? -- Performing Greater Cuba: Tania Bruguera and the Burden of Guilt -- Wise Latinas -- Brown Worldings: Jose Rodriguez-Soltero, Tania Bruguera, and María Irene Fornés -- The Sense of Wildness: The Brown Commons after Paris Burned -- Vitalism's Afterburn: The Sense of Ana Mendieta
  3. <<The>> sense of brown
    ethnicity, affect and performance
    Autor*in: Muñoz, José Esteban
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Takano Chambers-Letson, Joshua (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478011033
    Schlagworte: Hispanic Americans in the performing arts; Hispanic Americans / Ethnic identity; Performance art; Queer theory; Art and race; Art and race; Hispanic Americans / Ethnic identity; Hispanic Americans in the performing arts; Performance art; Queer theory
    Umfang: xxxiii, 185 Seiten, Illustrationen
    Bemerkung(en):

    The Brown Commons -- Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and -- Other STDs) -- The Onus of Seeing Cuba: Nilo Cruz's Cubanía -- Meandering South: Isaac Julien and The Long Road to Mazatlán -- "Chico, What Does It Feel Like to Be a Problem?": The Transmission of Brownness -- The Vulnerability Artist: Nao Bustamante and the Sad Beauty of Reparation -- Queer Theater, Queer Theory: Luis Alfaro's Cuerpo Politizado (2000) -- Performing the Bestiary: Carmelita Tropicana's With What Ass Does the Cockroach Sit?/Con Que Culo se Sienta la Cucaracha? -- Performing Greater Cuba: Tania Bruguera and the Burden of Guilt -- Wise Latinas -- Brown Worldings: Jose Rodriguez-Soltero, Tania Bruguera, and María Irene Fornés -- The Sense of Wildness: The Brown Commons after Paris Burned -- Vitalism's Afterburn: The Sense of Ana Mendieta