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  1. Who's afraid of ...?
    Facets of fear in Anglophone literature and film
    Beteiligt: Gymnich, Marion (Herausgeber)
    Erschienen: [2012]; © 2012
    Verlag:  V&R Unipress, Bonn University Press, Goettingen

    Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of... mehr

     

    Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot’s Daniel Deronda (1876) and Jonathan Nasaw’s Fear Itself (2003); facets of children’s fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro’s novel Never Let Me Go and fear and nostalgia in Mohsin Hamid’s post-9/11 novel The Reluctant Fundamentalist

     
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Beteiligt: Gymnich, Marion (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783847000501
    Weitere Identifier:
    hdl: 20.500.11811/543
    RVK Klassifikation: HG 431
    Schriftenreihe: Representations & reflections ; Volume 8
    Schlagworte: Englisch; Literatur; Angst <Motiv>; Geschichte 1400-2007; USA; Film; Angst <Motiv>
    Umfang: 1 Online-Ressource (294 Seiten)
  2. Who's afraid of...?
    Facets of Fear in Anglophone Literature and Film
    Autor*in: Gymnich, Marion
    Erschienen: 2012
    Verlag:  Vandenhoeck Ruprecht, [s.l.]

    Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of... mehr

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 3847100505
    RVK Klassifikation: HG 431 ; EC 5410
    Auflage/Ausgabe: 1. Aufl.
    Schriftenreihe: Representations & Reflections ; 8
    Schlagworte: Englisch; Literatur; Angst <Motiv>; Geschichte 1400-2007; ; USA; Film; Angst <Motiv>;
    Umfang: Online Ressource (PDF, 1803 KB, 294 S.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Title Page; Copyright; Table of Contents; Body; Marion Gymnich: Fictions of Fear - Representations of Fear in Anglophone Literature and Audiovisual Media; I. Introduction; II. Fear on the Plot Level - Thrills for the Reader and Viewer; III. Genres of Fear; IV. Case Study: The Village; References; Uwe Baumann: Ruling by Fear / Ruled by Fear: Representations of Political Violence and Political Fear in English Renaissance Culture and Literature; I. Prologue; II. Representations of Political Fear: Facets of the Classical Tradition

    III. Representations of Fear in the Declamatio, the Epigrams of Thomas More and the Politics of Henry VIIIIV. Representations of Political Violence and Political Fear on the English Renaissance Stage; Christopher Marlowe, Tamburlaine (1587); William Shakespeare, Macbeth (1605/1606); Colley Cibber, Xerxes, A Tragedy (1699); V. Epilogue; Plate I: Henkel, Arthur and Albrecht Schöne (eds.). Emblemata. Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts. Stuttgart: Metzler, 1967. 1248

    Plate II: Henkel, Arthur and Albrecht Schöne (eds.). Emblemata. Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts. Stuttgart: Metzler, 1967. 555References; Andrea Rummel: Romanticism, Anxiety and Dramatic Representation; I. Gothic Drama: George Colman the Younger, Bluebeard; II. Anti-Revolutionary Theatre: Edmund John Eyre, The Maid of Normandy; III. Historical Tragedies: Percy Bysshe Shelley, The Cenci; IV. Enacting Fear on the Romantic Stage; References; Gislind Rohwer-Happe: The Dramatic Monologue and the Preservation of Victorian Fears

    I. The Contextualization of the Dramatic MonologueII. Religion and the Dramatic Monologue; III. Crime, Madness and the Dramatic Monologue; IV. Death and the Dramatic Monologue; V. `The Great Social Evil' and the Dramatic Monologue; VI. Conclusion; References; Stella Butter: Cultural Constructions of Fear and Empathy: The Emotional Structure of Relationships in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); I. George Eliot: Daniel Deronda (1876); II. Jonathan Nasaw: Fear Itself (2003); III. Conclusion; References

    Sara Strauß: Facets of Children's Fears in Twentieth- and Twenty-First-Century Stream-of-Consciousness FictionReferences; Marcel Inhoff: Fearing, Loathing: Robert Lowell, Hunter S. Thompson and the Rise of Richard Nixon; References; Klaus Scheunemann: Fight or Flight - Fear in War Movies; I. Introduction; II. Days of Heroes - The Longest Day; III. War as a Psychological Challenge - Saving Private Ryan; IV. War's Ugly Face - Die Brücke; V. Conclusion; References; Christian Knöppler: Remaking Fear: The Cultural Function of Horror Film Remakes; I. Scare Me Again; II. Defining the Film Remake

    III. Horror and Remakes: A Match Made in Hell?