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  1. Traumatic verses
    on poetry in German from the concentration camps, 1933-1945
    Autor*in: Nader, Andrés José
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    Auschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of 'poetry after... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Auschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of 'poetry after Auschwitz.' And yet a number of people composed poems while imprisoned in the camps. Unlike most documents about the camps, these poems are self-representations that convey the perspective of the inmates who wrote them. 'Traumatic Verses' provides psychoanalytically informed close readings of a range of poems and discusses their significance for aesthetic theory and for research on the camps. It also tells the stories behind the composition and preservation of these poems and the history of their publication since 1945. Most of the poems appear here for the first time in English translation along with the original texts. This book fills a gap left by literary historians, who have mostly ignored writings from the camps and avoided careful scrutiny of literature produced under the Nazi regime. Studies of trauma have concentrated on post-traumatic experiences; discussions of aesthetics 'after' the Holocaust have neglected the issue of the artistic impulse 'in' the camps. On both counts this book constitutes a unique contribution to scholarship, showing that, when read attentively, the poems written in the camps are invaluable sites for confronting the Nazi past. Andrés J. Nader is Project Manager at the Amadeu Antonio Foundation in Berlin, and lectures at the Humboldt University. Winner, 2008 Modern Language Association Book Prize for Independent Scholars; from the statement of the Selection Committee: Leading a new generation of students of the Holocaust, Nader persuasively analyzes the psychological needs and motivations behind ... poetry composed in the concentration camps. Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in English for the first time, in elegant translation, Nader's anthology and commentary add a significant new dimension to Holocaust studies Literary activities in the camps -- Identity under threat -- "Everyday life" in the concentrationary universe -- Communicating torture -- Contemporaneous poetry in the Third Reich

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137067
    RVK Klassifikation: GM 1792
    Schlagworte: German poetry; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945; Concentration camp inmates' writings; Concentration camp inmates' writings ; History and criticism; German poetry ; 20th century ; History and criticism; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945 ; Literature and the war
    Umfang: 1 Online-Ressource (x, 258 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German literature; Nature in literature; Modernism (Aesthetics); German poetry; German poetry ; 20th century ; History and criticism; German literature ; 20th century ; Themes, motives; Nature in literature; Modernism (Aesthetics)
    Umfang: 1 Online-Ressource (256 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. German and European poetics after the Holocaust
    crisis and creativity
    Beteiligt: Hofmann, Gert (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film 'Shoah.' Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway pt. 1: Poetics after Auschwitz -- pt. 2: Tradition and transgression -- pt. 3: Comparative explorations in European poetics

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hofmann, Gert (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137661
    RVK Klassifikation: EC 5410 ; GM 2394 ; GN 1701 ; GN 3728 ; GN 8798
    Schlagworte: European poetry; Poetics; German poetry; German poetry ; 20th century ; History and criticism; Poetics ; History ; 20th century; European poetry ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (vi, 310 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

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    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German literature; Nature in literature; Modernism (Aesthetics); German poetry; German poetry ; 20th century ; History and criticism; German literature ; 20th century ; Themes, motives; Nature in literature; Modernism (Aesthetics)
    Umfang: 1 Online-Ressource (256 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. German and European poetics after the Holocaust
    crisis and creativity
    Beteiligt: Hofmann, Gert (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film 'Shoah.' Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway pt. 1: Poetics after Auschwitz -- pt. 2: Tradition and transgression -- pt. 3: Comparative explorations in European poetics

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hofmann, Gert (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137661
    RVK Klassifikation: EC 5410 ; GM 2394 ; GN 1701 ; GN 3728 ; GN 8798
    Schlagworte: European poetry; Poetics; German poetry; German poetry ; 20th century ; History and criticism; Poetics ; History ; 20th century; European poetry ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (vi, 310 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Traumatic verses
    on poetry in German from the concentration camps, 1933-1945
    Autor*in: Nader, Andrés José
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    Auschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of 'poetry after... mehr

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    Universitätsbibliothek der Eberhard Karls Universität
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    Auschwitz, Buchenwald, Christianstadt, Dachau. The names of Nazi concentration camps evoke images of radical destitution. The atrocities we call the Holocaust defy comprehension, while thinkers continue to ponder the possibility of 'poetry after Auschwitz.' And yet a number of people composed poems while imprisoned in the camps. Unlike most documents about the camps, these poems are self-representations that convey the perspective of the inmates who wrote them. 'Traumatic Verses' provides psychoanalytically informed close readings of a range of poems and discusses their significance for aesthetic theory and for research on the camps. It also tells the stories behind the composition and preservation of these poems and the history of their publication since 1945. Most of the poems appear here for the first time in English translation along with the original texts. This book fills a gap left by literary historians, who have mostly ignored writings from the camps and avoided careful scrutiny of literature produced under the Nazi regime. Studies of trauma have concentrated on post-traumatic experiences; discussions of aesthetics 'after' the Holocaust have neglected the issue of the artistic impulse 'in' the camps. On both counts this book constitutes a unique contribution to scholarship, showing that, when read attentively, the poems written in the camps are invaluable sites for confronting the Nazi past. Andrés J. Nader is Project Manager at the Amadeu Antonio Foundation in Berlin, and lectures at the Humboldt University. Winner, 2008 Modern Language Association Book Prize for Independent Scholars; from the statement of the Selection Committee: Leading a new generation of students of the Holocaust, Nader persuasively analyzes the psychological needs and motivations behind ... poetry composed in the concentration camps. Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in English for the first time, in elegant translation, Nader's anthology and commentary add a significant new dimension to Holocaust studies Literary activities in the camps -- Identity under threat -- "Everyday life" in the concentrationary universe -- Communicating torture -- Contemporaneous poetry in the Third Reich

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137067
    RVK Klassifikation: GM 1792
    Schlagworte: German poetry; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945; Concentration camp inmates' writings; Concentration camp inmates' writings ; History and criticism; German poetry ; 20th century ; History and criticism; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945 ; Literature and the war
    Umfang: 1 Online-Ressource (x, 258 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)