Intro -- Half Title -- Title Page -- Copyright Page -- Contents -- Illustrations -- Contributors -- Acknowledgments -- Introduction -- Part I: Frankenstein in Film, Theater, Music, Comics, and Visual Art -- Chapter 1: Frankenstein's Frontispiece, the Missing Phallus, and the Pornographer: The Alchemy of Conceiving Monstrosities -- Chapter 2: Mashing the Medium: The Aesthetics of Screen Frankensteins -- Chapter 3: Frankenstein and the Media of Serial Figures -- Chapter 4: Musical Directions, Sound, Silence, and Song in Presumption, or the Fate of Frankenstein (1823) -- Chapter 5: Birth of a "Miserable Monster": The Alchemical Theatricality of Male Self-Procreation in Stage and Screen Adaptations of Frankenstein -- Chapter 6: Excising the Repulsive: Metaphysics and Psychology in Edison's Frankenstein (1910) -- Chapter 7: Frankenstein's Organ Transplant: Adaptation in Afro-Futurist and Electronic Dance Musics -- Part II: Monstrosity in Music, Film, and Videogames -- Chapter 8: Monstrosity as a Queer Aesthetic -- Chapter 9: Twelve-tone Terror: Representing Horror and Monstrosity in Dodecaphonic Film Music -- Chapter 10: The Horror, the Horror!: White Women are the True Monsters in Jordan Peele's Get Out -- Chapter 11: Indigeneity as Monstrosity in The Four Skulls of Jonathan Drake -- Chapter 12: A "Distaste for . . . Allegory" or: In the Bowels of Horror -- Chapter 13: Tragic Wraiths, Seductive Sirens, and Man-Eating Vampires: Female Monstrosity in The Witcher 3: Wild Hunt Video Game -- Bibliography -- Filmography -- Index.
