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  1. Signaturen der Revolution
    Frankreich - Deutschland: deutsche Zeitgenossenschaft und deutsches Drama zur Französischen Revolution um 1800
    Erschienen: 1997
    Verlag:  Fink, München

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  2. Anger, revolution, and romanticism
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their... mehr

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    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 9780511484506
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    Schriftenreihe: Cambridge studies in Romanticism ; 62
    Schlagworte: Romanticism; Revolutions in literature; Anger in literature; English literature; English literature; English literature ; 19th century ; History and criticism; English literature ; French influences; Romanticism ; Great Britain; Revolutions in literature; Anger in literature; France ; History ; Revolution, 1789-1799 ; Literature and the revolution; France ; History ; Revolution, 1789-1799 ; Influence
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    Introduction : fits of rage -- 1. Towards romantic anger -- 2. Burke, Coleridge, and the rage for indignation -- 3. Inflammatory reactions -- 4. Provocation and the plot of anger -- 5. Shelley and the masks of anger -- 6. Byron's curse.

  3. The anti-Jacobin novel
    British conservatism and the French Revolution
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge

    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own;... mehr

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    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own; indeed, these soon outnumbered the Jacobin novels. This was the first survey of the full range of conservative novels produced in Britain during the 1790s and early 1800s. M. O. Grenby examines the strategies used by conservatives in their fiction, thus shedding new light on how the anti-Jacobin campaign was understood and organised in Britain. Chapters cover the representation of revolution and rebellion, the attack on the 'new philosophy' of radicals such as Godwin and Wollstonecraft, and the way in which hierarchy is defended in these novels. Grenby's book offers an insight into the society which produced and consumed anti-Jacobin novels, and presents a case for reexamining these neglected texts 1. Novels reproved and reprieved -- 2. Representing revolution -- 3. The new philosophy -- 4. The vaurien and the hierarchy of Jacobinism -- 5. Levellers, nabobs and the manners of the great: the novel's defence of hierarchy -- 6. The creation of orthodoxy: constructing the anti-Jacobin novel -- 7. Conclusion

     

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  4. Writing against revolution
    literary conservatism in Britain, 1790-1832
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society... mehr

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    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484223
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    Schriftenreihe: Cambridge studies in Romanticism ; 69
    Schlagworte: Press and politics; Counterrevolutions; Conservatism and literature; Conservatism and literature ; Great Britain ; History ; 19th century; Counterrevolutions ; Great Britain ; History ; 19th century; Press and politics ; Great Britain ; History ; 19th century; Great Britain ; History ; George III, 1760-1820; Great Britain ; History ; George IV, 1820-1830; France ; History ; Revolution, 1789-1799 ; Literature and the revolution
    Umfang: 1 Online-Ressource (xii, 316 pages), digital, PDF file(s)
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  5. Coleridge, Revision and Romanticism
    After the Revolution, 1793-1818
    Autor*in: Tee, Ve-Yin
    Erschienen: 2009
    Verlag:  Bloomsbury Publishing, London

    The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist... mehr

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    The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis. Scrutinising four works of Coleridge (two poems, a newspaper article and a play), where every major variant is read as a separate work with its own dis

     

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    Sprache: Englisch
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    ISBN: 9781441137500
    Schriftenreihe: Continuum Literary Studies
    Schlagworte: Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Coleridge, Samuel Taylor ; 1772-1834 ; Political and social views; France ; History ; Revolution, 1789-1799 ; Influence; France ; History ; Revolution, 1789-1799 ; Literature and the revolution; Electronic books
    Umfang: Online-Ressource (191 p)
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    Contents; Acknowledgements; List of Figures; List of Abbreviations; Introduction; 1. The Catholicity of 'Frost at Midnight'; 2. The Submerged History of 'The Ancient Mariner'; 3. Ungodly Visions; 4. A Tale of Remorse; Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; W; Y; Z

  6. Fabricating History
    English Writers on the French Revolution
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

    Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott,... mehr

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    Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own ""Glorious Revolution."" To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between ""history"" and ""fiction"" was less important than maki

     

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  7. Romanticism at the End of History
    Erschienen: 2000; ©2000
    Verlag:  The Johns Hopkins University Press, Baltimore

    Intro -- Contents -- Acknowledgments -- Introduction -- Chapter One: The Romantic Movement at the End of History -- Chapter Two: The Color of Imagination and the Office of Romantic Criticism -- Chapter Three: Ecce Homo: The End of the French... mehr

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    Intro -- Contents -- Acknowledgments -- Introduction -- Chapter One: The Romantic Movement at the End of History -- Chapter Two: The Color of Imagination and the Office of Romantic Criticism -- Chapter Three: Ecce Homo: The End of the French Revolution and the Romantic Reinvention of English Verse -- Chapter Four: The Dark Romanticism of the Edinburgh Review -- Chapter Five: Romantic Hope: The Maid of Buttermere, the Right to Write, and the Future of Liberalism -- Chapter Six: Clerical Liberalism: Walter Scott's World Picture -- Chapter Seven: Using: Romantic Ethics and Digital Media in the Ruins of the University -- Notes -- Index.

     

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    ISBN: 9780801879036
    Schlagworte: English literature -- 19th century -- History and criticism; Literature and history -- Great Britain -- History -- 19th century; Napoleonic Wars, 1800-1815 -- Literature and the war; English literature -- French influences; Romanticism -- Great Britain; France -- History -- Revolution, 1789-1799 -- Literature and the revolution; English literature ; 19th century ; History and criticism; English literature ; French influences; France ; History ; Revolution, 1789-1799 ; Literature and the revolution; Literature and history ; Great Britain ; History ; 19th century; Napoleonic Wars, 1800-1815 ; Literature and the war; Romanticism ; Great Britain; Electronic books
    Umfang: Online-Ressource (256 p)
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    ""Contents""; ""Acknowledgments""; ""Introduction""; ""Chapter One: The Romantic Movement at the End of History""; ""Chapter Two: The Color of Imagination and the Office of Romantic Criticism""; ""Chapter Three: Ecce Homo: The End of the French Revolution and the Romantic Reinvention of English Verse""; ""Chapter Four: The Dark Romanticism of the Edinburgh Review""; ""Chapter Five: Romantic Hope: The Maid of Buttermere, the Right to Write, and the Future of Liberalism""; ""Chapter Six: Clerical Liberalism: Walter Scott�s World Picture""

    ""Chapter Seven: Using: Romantic Ethics and Digital Media in the Ruins of the University""""Notes""; ""Index""

  8. Unsex'd Revolutionaries
    Five Women Novelists of the 1790's
    Autor*in: Ty, Eleanor
    Erschienen: 1993
    Verlag:  University of Toronto Press, Toronto

    Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith mehr

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    Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith

     

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  9. Anger, revolution, and romanticism
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their... mehr

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    The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9780511484506
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Romanticism ; 62
    Schlagworte: Romanticism; Revolutions in literature; Anger in literature; English literature; English literature; English literature ; 19th century ; History and criticism; English literature ; French influences; Romanticism ; Great Britain; Revolutions in literature; Anger in literature; France ; History ; Revolution, 1789-1799 ; Literature and the revolution; France ; History ; Revolution, 1789-1799 ; Influence
    Umfang: 1 Online-Ressource (x, 221 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction : fits of rage -- 1. Towards romantic anger -- 2. Burke, Coleridge, and the rage for indignation -- 3. Inflammatory reactions -- 4. Provocation and the plot of anger -- 5. Shelley and the masks of anger -- 6. Byron's curse.

  10. The anti-Jacobin novel
    British conservatism and the French Revolution
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge

    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own;... mehr

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    The French Revolution sparked an ideological debate which also brought Britain to the brink of revolution in the 1790s. Just as radicals wrote 'Jacobin' fiction, so the fear of rebellion prompted conservatives to respond with novels of their own; indeed, these soon outnumbered the Jacobin novels. This was the first survey of the full range of conservative novels produced in Britain during the 1790s and early 1800s. M. O. Grenby examines the strategies used by conservatives in their fiction, thus shedding new light on how the anti-Jacobin campaign was understood and organised in Britain. Chapters cover the representation of revolution and rebellion, the attack on the 'new philosophy' of radicals such as Godwin and Wollstonecraft, and the way in which hierarchy is defended in these novels. Grenby's book offers an insight into the society which produced and consumed anti-Jacobin novels, and presents a case for reexamining these neglected texts 1. Novels reproved and reprieved -- 2. Representing revolution -- 3. The new philosophy -- 4. The vaurien and the hierarchy of Jacobinism -- 5. Levellers, nabobs and the manners of the great: the novel's defence of hierarchy -- 6. The creation of orthodoxy: constructing the anti-Jacobin novel -- 7. Conclusion

     

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  11. Writing against revolution
    literary conservatism in Britain, 1790-1832
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society... mehr

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    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain

     

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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484223
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Romanticism ; 69
    Schlagworte: Press and politics; Counterrevolutions; Conservatism and literature; Conservatism and literature ; Great Britain ; History ; 19th century; Counterrevolutions ; Great Britain ; History ; 19th century; Press and politics ; Great Britain ; History ; 19th century; Great Britain ; History ; George III, 1760-1820; Great Britain ; History ; George IV, 1820-1830; France ; History ; Revolution, 1789-1799 ; Literature and the revolution
    Umfang: 1 Online-Ressource (xii, 316 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)