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  1. Writing against revolution
    literary conservatism in Britain, 1790-1832
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484223
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Romanticism ; 69
    Schlagworte: Press and politics; Counterrevolutions; Conservatism and literature; Conservatism and literature ; Great Britain ; History ; 19th century; Counterrevolutions ; Great Britain ; History ; 19th century; Press and politics ; Great Britain ; History ; 19th century; Great Britain ; History ; George III, 1760-1820; Great Britain ; History ; George IV, 1820-1830; France ; History ; Revolution, 1789-1799 ; Literature and the revolution
    Umfang: 1 Online-Ressource (xii, 316 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. Writing against revolution
    literary conservatism in Britain, 1790-1832
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society... mehr

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    Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484223
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Romanticism ; 69
    Schlagworte: Press and politics; Counterrevolutions; Conservatism and literature; Conservatism and literature ; Great Britain ; History ; 19th century; Counterrevolutions ; Great Britain ; History ; 19th century; Press and politics ; Great Britain ; History ; 19th century; Great Britain ; History ; George III, 1760-1820; Great Britain ; History ; George IV, 1820-1830; France ; History ; Revolution, 1789-1799 ; Literature and the revolution
    Umfang: 1 Online-Ressource (xii, 316 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)