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America on film
representing race, class, gender, and sexuality at the movies -
Is Rotten Tomatoes killing the movie industry?: a regression discontinuity approach
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Festival cities
culture, planning and urban life -
Mood and mobility
navigating the emotional spaces of digital social networks -
The cinematic imagiNation [sic]
Indian popular films as social history -
Modernism, media, and propaganda
British narrative from 1900 to 1945 -
Shakespeare
from stage to screen -
La novellisation
du film au roman = Novelization -
Queer cinema
the film reader -
The artificial white man
essays on authenticity -
Fantasies of witnessing
postwar efforts to experience the Holocaust -
Filming the modern Middle East
politics in the cinemas of Hollywood and the Arab world -
The acoustic mirror
the female voice in psychoanalysis and cinema -
Affaires de famille
the family in contemporary French culture and theory -
Street smart
the New York of Lumet, Allen, Scorsese, and Lee -
Discursive geographies
writing space and place in French -
From Plato to Lumière
narration and monstration in literature and cinema -
Composers in the movies
studies in musical biography -
Bad
infamy, darkness, evil, and slime on screen -
The passing of postmodernism
a spectroanalysis of the contemporary -
Shooting the family
transnational media and intercultural values -
Tales out of school
gender, longing, and the teacher in fiction and film -
Modernism, media, and propaganda
British narrative from 1900 to 1945 -
Broken time, fragmented space
a cultural map for postwar Italy -
Art and politics in Duras' "India cycle"