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  1. Rethinking the femme fatale in film noir
    ready for her close-up
    Autor*in: Grossman, Julie
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    "In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: AP 50300 ; AP 53600
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Femmes fatales in motion pictures; Film noir / History and criticism; Femmes fatales in motion pictures; Film noir; Femme fatale; Film noir
    Umfang: XI, 176 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale"

  2. Rethinking the femme fatale in film noir
    ready for her close-up
    Autor*in: Grossman, Julie
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    "In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: AP 50300 ; AP 53600
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Femmes fatales in motion pictures; Film noir / History and criticism; Femmes fatales in motion pictures; Film noir; Femme fatale; Film noir
    Umfang: XI, 176 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale"