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  1. Ovid and adaptation in early modern English theatre
    Beteiligt: Starks-Estes, Lisa S. (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Did you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary... mehr

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    Did you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance. -- Publisher website

     
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    Quelle: Verbundkataloge
    Beteiligt: Starks-Estes, Lisa S. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474430081; 1474430082; 1474430066; 9781474430067
    Schlagworte: English drama; English drama; Théâtre anglais - 16e siècle - Sources; Théâtre anglais - 16e siècle - Influence ancienne; English drama - Early modern and Elizabethan; Adaptations; Sources
    Weitere Schlagworte: Ovid (43 B.C.-17 A.D. or 18 A.D); Shakespeare, William (1564-1616); Ovid - 43 B.C.-17 A.D. or 18 A.D; Shakespeare, William - 1564-1616
    Umfang: 1 Online-Ressource (xii, 282 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Lisa S. Starks: Introduction: Representing "Ovids" on the early modern English stage /

    Simone Chess: Queer gender informants in Ovid and Shakespeare /

    Shannon Kelley: Women in trees: adapting Ovid for John Lyly's Love's metamorphosis (1589) /

    Daniel G. Lauby: Queer fidelity: Marlowe's Ovid and the staging of desire in Dido, Queen of Carthage /

    Deborah Uman: "Let Rome in Tiber melt": hermaphroditic transformation in Antonius and Antony and Cleopatra /

    Lisa S. Starks: Ovid's ghosts: lovesickness, theatricality, and Ovidian spectrality on the early modern English stage /

    John S. Garrison: Medea's afterlife: encountering Ovid in The tempest /

    Catherine Winiarski: Remnants of Virgil, Ovid, and Paul in Titus Andronicus /

    Jennifer Feather: Power, emotion, and appropriation in Ovid's Tristia and Shakespeare's Henry V /

    John D. Staines: Appropriating Ovid's tyrannical raptures in Macbeth /

    Goran Stanivukovic: Ovid and the styles of adaptation in The two gentlemen of Verona /

    Louise Geddes: "Truly, and very notably discharg'd": the metamorphosis of Pyramus and Thisbe and the place of appropriation on the early modern stage /

    Liz Oaklye-Brown: The golden age rescored?: Ovid's Metamorphoses and Thomas Heywood's The ages /

    Ed Gieskes: "Materia conveniente modis": early modern dramatic adaptations of Ovid /

    Jim Casey.: Worse then Philomel, worse than Actaeon: hyperreal Ovid in Shakespeare's Titus Andronicus /
  2. Tombs in Shakespearean drama
    monumental theater
    Autor*in: Whitver, H. Austin
    Erschienen: 2023
    Verlag:  Routledge, New York

    Tombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others... mehr

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    Tombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare's poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000811094; 9781003321460; 9781000811025
    Weitere Identifier:
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: English drama; Tombs; English drama - Early modern and Elizabethan; Tombs; Criticism, interpretation, etc; DRAMA / Shakespeare; LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William - 1564-1616
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Literaturangaben
  3. Islamic conversion and Christian resistance on the early modern stage
    Autor*in: Degenhardt, Jane Hwang
    Erschienen: 2010
    Verlag:  Edinburgh University Press, Edinburgh

    This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate... mehr

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    This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse than death and as a sexual seduction Cover -- Copyright -- Acknowledgments -- Figures -- Introduction Seduction, Resistance, and Redemption: 8220;Turning Turk8221; and the Embodiment of Christian Faith -- Chapter 1 Dangerous Fellowship: Universal Faith and its Bodily Limits in The Comedy of Errors and Othello -- Chapter 2 Recycled Models: Catholic Martyrdom and Embodied Resistance to Conversion in The Virgin Martyr and Other Red Bull Plays -- Chapter 3 Engendering Faith: Sexual Defilement and Spiritual Redemption in The Renegado -- Chapter 4 8220;Reforming8221; the Knights of Malta: Male Chastity and Temperance in Five Early Modern Plays -- Epilogue Turning Miscegenation into Tragicomedy (Or Not): Robert Greenes Orlando Furioso -- Notes -- Index

     
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  4. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Autor*in: Parker, John
    Erschienen: 2010
    Verlag:  Cornell University Press, Ithaca

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After... mehr

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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After Strange Gods: the Making of Christ and his Doubles -- The Orthodoxy of Heresy -- From Script to Scripture-- The Gospel Truth -- Christ as Antichrist -- The Sign of Jonah -- Salvation through Antichrist -- Lying Likenesses: Typology and the Medieval Miracula -- Imago in Evangelio --The Typological Image -- Ad Imaginem in the York Cycle -- Miracula -- Salvaging the Audience, or Christ as Antichrist Redux -- Antichrist and Antitheatricalism -- The Chester Antichrist -- The Anagogical Promise of Art -- Blood Money: Antichristian Economics and the Drama of the Sacraments -- The Root of All Evil -- Blinde Reckeninge (Everyman) -- Judas Superstar -- The Offertory as Price of Admission -- The Miracle at Croxton -- Coda: the Blood Money of Mankind -- Vicarious Criminal: Christ as Representative -- Antigraphy (the Making of the Septuagint -- Christ and Vicarious Substitution -- Christian Appropriation -- The Deceiver Deceived and the Cycles' Descent -- Virgin Birth, or the Septuagint Redux -- The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits -- Marlowe the Antichrist -- Jesus Barabbas, Son of God -- Apostolic Conquest (Tamburlaine and Paul) -- Faustus Magus

     
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  5. The book of the play
    playwrights, stationers, and readers in early modern England
    Erschienen: 2011
    Verlag:  University of Massachusetts Press, Amherst

    Introduction : plays, books, and the public sphere / Marta Straznicky -- Renaissance play-readers, ordinary and extraordinary / Cyndia Susan Clegg -- Reading printed comedy : Edward Sharpham's The fleer / Lucy Munro -- Reading through the body :... mehr

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    Introduction : plays, books, and the public sphere / Marta Straznicky -- Renaissance play-readers, ordinary and extraordinary / Cyndia Susan Clegg -- Reading printed comedy : Edward Sharpham's The fleer / Lucy Munro -- Reading through the body : women and printed drama / Marta Straznicky -- Closet drama and the case of Tyrannicall-government anatomized / Elizabeth Sauer -- Typographic nostalgia : play-reading, popularity, and the meanings of black letter / Zachary Lesser -- Play-reading, news-reading, and Ben Jonson's The staple of news / Alan B. Farmer -- Genres, early modern theatrical title pages, and the authority of print / Peter Berek -- The masque in/as print / Lauren Shohet -- Inky kin : reading in the age of Gutenberg paternity / Douglas A. Brooks

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1558495339; 1613761678; 1558495320; 9781558495333; 9781613761670; 9781558495326
    RVK Klassifikation: HI 1115
    Schriftenreihe: Massachusetts studies in early modern culture
    Schlagworte: Book industries and trade; Books and reading; Drama; English drama; Book industries and trade; Books and reading; English drama; Drama; Livres - Industrie - Angleterre - Histoire - 16e siècle; Livres et lecture - Angleterre - Histoire - 16e siècle; Théâtre (Genre littéraire) - Édition - Angleterre - Histoire - 16e siècle; Théâtre anglais - 16e siècle - Histoire et critique; Livres - Industrie - Angleterre - Histoire - 17e siècle; Livres et lecture - Angleterre - Histoire - 17e siècle; Théâtre (Genre littéraire) - Édition - Angleterre - Histoire - 17e siècle; Théâtre anglais - 17e siècle - Histoire et critique; Théâtre (Genre littéraire) - Édition - Histoire - 16e siècle; Théâtre (Genre littéraire) - Édition - Histoire - 17e siècle; PERFORMING ARTS - Theater - General; Book industries and trade; Books and reading; Drama - Publishing; English drama; English drama - Early modern and Elizabethan; Toneelstukken; Engels; Publicaties; Lezers; Criticism, interpretation, etc; History
    Weitere Schlagworte: "Multi-User"
    Umfang: 1 Online-Ressource (237 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index

    OldControl:muse9781613761670

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  6. Marlowe, Shakespeare, and the economy of theatrical experience
    Autor*in: Cartelli, Thomas
    Erschienen: 2010
    Verlag:  University of Pennsylvania Press, Philadelphia

    This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe mehr

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    This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe

     
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