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  1. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: HI 1250
    Schlagworte: English drama; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; To 1500 ; History and criticism; English drama ; 17th century
    Umfang: 1 Online-Ressource (xi, 176 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  2. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Universitätsbibliothek der Eberhard Karls Universität
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    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: HI 1250
    Schlagworte: English drama; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; To 1500 ; History and criticism; English drama ; 17th century
    Umfang: 1 Online-Ressource (xi, 176 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)