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  1. Dreamwork for dramatic writing
    dreamwrighting for stage and screen
    Erschienen: [2024]
    Verlag:  Brill, Leiden

    "Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear,... mehr

    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear, dramatic technique, and addresses both playwriting and screenwriting, as the profession is increasingly populated by writers who work in both stage and screen. Developed through 25 years of teaching award-winning playwrights in the University of Missouri's Writing for Performance Program, and based upon the phenomenological research of renowned performance theorist Bert O. States, this book offers a foundational, step-by-step organic guide to non-traditional, non-linear technique that will help writers beat clichéd, tired dramatic writing and provides stimulating new exercises to transform their work"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004535954
    RVK Klassifikation: EC 2260
    Schriftenreihe: Consciousness, literature and the arts ; volume 60
    Schlagworte: Playwriting; Motion pictures; Dreams and the arts; Dreams in literature
    Umfang: x, 252 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction : dreamwork for dramatic writing -- The Dreamwright workshop : relaxation, the trance state, and daydreaming -- Structure of the dreamwork, myth, ceremony, and ritual : August Strindberg's Dream Play and Orson Welles Citizen Kane -- Ancient dream structures--myths and the Greek chorus : Sophocles' Oedipus the King, Paula Vogel's How I Learned to Drive, Lanford Wilson's Book of Days, and Marcel Camus' Black Orpheus -- African-American dream funhouse--creating ritual liminality : Adrienne Kennedy's Funny House of a Negro and Julie's Dash's Daughters of the Dust -- Transfiguration of gender and identity--transformations, mutability, and androgyny : Jean Genet's The Balcony and Sally Potter's Orlando -- The dreamer's heart--thinking backwards first : character dreams and storytelling--McDonagh's The Pillowman and Christopher Nolan's Memento -- Magic plot cards--the dreamwright as storyteller : Tony Kushner's Angels in America, Charlie Kaufman's Eternal Sunshine of the Spotless Mind, Guillermo Arriaga's 21 Grams -- The snap of the heartstring--symbolism and romanticism : Chekhov's The Cherry Orchard, Jose Rivera's Cloud Tectonics, Marguerite Duras' Hiroshima Mon Amour -- Realms of theatricality--surrealism and waking dreams : Thornton Wilder's Pullman Car Hiawatha and David Lynch's Mulholland Drive -- Inside out--a feminist expressionism of dreaming : Sarah Ruhl's Eurydice and Karen Moncrieff's The Dead Girl -- Epic theatre and the lucid dream : Bertolt Brecht's The Threepenny Opera and Lucy Alibar's Beasts of the Southern Wild -- Postmodernist worlds of slippage : Pirandello's It Is So! (If You Think So) and Eleanor Perry's The Swimmer -- The absurdist nightmare and the dramatic wet dream : Ionesco's The Bald Soprano, Samuel Beckett's Play, and Quentin Tarantino's Pulp Fiction -- The breathing of a play--music and ritualized sacrifice : Edward Albee's Tiny Alice and Agnès Varda's Vagabond -- Comedy shock--rhythms of menace and joy : Harold Pinter's The Birthday Party, Irene Fornes' Conduct of Life, and Jean- Luc Godard's Weekend -- The work of a dreamwright : transcending the possible.

  2. Ideas of Authorship in the English and Scottish Dream Vision
    Skelton, Dunbar, Hawes, Douglas
    Erschienen: 2024; ©2024
    Verlag:  Boydell & Brewer, Limited, Woodbridge

    An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781805432272
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Dreams in literature; Authorship; English literature; Scottish literature; Rêves dans la littérature; Art d'écrire; Littérature anglaise; Littérature écossaise; authorship
    Weitere Schlagworte: Skelton, John (1460?-1529); Dunbar, William (1460?-1520?); Hawes, Stephen (-1523?); Douglas, Gawin (1474?-1522)
    Umfang: 1 online resource (238 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  3. Ideas of authorship in the English and Scottish dream vision
    Skelton, Dunbar, Hawes, Douglas
    Erschienen: 2024
    Verlag:  D. S. Brewer, Cambridge

    An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of... mehr

    Saarländische Universitäts- und Landesbibliothek
    bestellt
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    64 A 1301
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.

     

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  4. <<The>> making of the Scottish dream vision
    Erschienen: 2024
    Verlag:  Oxford University Press, Oxford

    Universitätsbibliothek Paderborn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780197266809
    Schriftenreihe: <<A>> British Academy monograph
    Schlagworte: Scottish literature; Dreams in literature; Visions in literature
    Umfang: 1 volume, illustrations, 24 cm